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Jon Stewart Unbleeped: \'The Daily Show\' Leaves Some Choice Words Intact

By BILL CARTER

“The Daily Show” is not changing its standards concerning which words it will bleep and which it won't, though it might have seemed that way Wednesday night.

That was when Jon Stewart unleashed his latest satiric takedown of the Fox News network that included repeated use of what used to be called a “barnyard epithet.” It also used to be a word that did not make it onto the air on “The Daily Show” without the bleeping erasure from the network's standards department.

So what happened Wednesday? Comedy Central executives did not want to comment on the record about the decision, because they did not want to signal that the show had done anything outside the usual standards of the network. But they said the tone of the piece, in which Mr. Stewart expressed some larger-than-usual incredulity at some reporting by the Fox channel, made it more important that the language stay intact in this one piece.

As it ha ppened, the singer Pink was Mr. Stewart's main guest, and her latest single, “Blow Me One Last Kiss,” contains the same epithet 11 times. The word was not bleeped any of those times (though another word was once).

Comedy Central executives emphasized that the decision to leave the words in affected only the initial late-night showing of “The Daily Show” and the ones run later at night. All the words were cut from repeats run during daytime hours Thursday.

A spokesman for the network, Steve Albani, said in an e-mail comment:

“Occasionally we allow certain language to go unbleeped on the show during its late-night premiere and encore. When we do, we have an alternate, bleeped version which runs during the daytime in its encore time slots, which receive a broader audience.”

The decision to allow the language this time had mostly to do with the substance of the comedy piece, another Comedy Central executive said, and did not signal a change i n the network's overall approach to what it will permit to be said uncensored on the show.

Bill Carter writes about the television industry. Follow @wjcarter on Twitter.



MSNBC\'s Audience Grows, Seemingly Drawn by News of Romney\'s Troubles

By BILL CARTER

How hot is Rachel Maddow's show on MSNBC? Hot enough to post a rare win this week as the top prime-time show on the cable news networks among the viewers most sought by advertisers.

It may have been for only one night - Tuesday night - indeed, by Wednesday night, Fox News returned to pre-eminence in the 8 and 9 p.m. hours. Still, MSNBC has been riding a hot rating hand in recent weeks, and especially over the last three days in the wake of the release of the Mitt Romney fund-raising video.

That surreptitiously recorded tape, which showed Mr. Romney discussing - and apparently dismissing - almost half the electorate as victims without any personal responsibility, seems to have fueled a surge in viewing for MSNBC, a network that wears its pro-Democratic views on its sleeve as much as Fox News does for the Republican side.

On Monday, when Fox News ignored the story for most of its prime-time coverage, MSNBC started to show a boost in its ratings among the 25-to-54-year-old viewers who determine most of the ad sales in news programming. By Tuesday, when the story became the center of political discussion for the day, a flood of extra viewers turned to MSNBC, and especially Ms. Maddow.

She has become, in the centerpiece 9 p.m. hour, the star attraction for the channel, and the results of late have been on a sharp upswing. Her average audience for the year in the 25-54 age group is about 250,000. But for the month of September, until this week, it had jumped to 453,000.

On Tuesday night, the numbers exploded. Ms. Maddow attracted 703,000 viewers in that advertiser-preferred group, meaning she was able to post an extremely rare win over all the Fox News hosts for that one night. (She is not head to head against the dominant ratings leader, Bill O'Reilly, so it is not a direct comparison, but that night Mr. O'Reilly was just behind with 682,000 viewer s in that audience segment.)

Ms. Maddow was well ahead Tuesday night of her direct Fox News competitor, Sean Hannity, who pulled in 513,000 viewers in the 25-54 group.

The standings shifted Wednesday with Mr. Hannity back ahead with 645,000 viewers in that group, to 521,000 for Ms. Maddow. And, as always, Fox News continued to have big advantages among total viewers on all three nights.

But the news of late has clearly been good for MSNBC, both in the ratings and apparently in the presidential race. The home-team effect, which can be seen in how well Fox News does on nights of the Republican convention versus how well MSNBC does during the Democratic convention, is likely at play. With so much attention this week on Mr. Romney's comments, and how they might negatively affect his chances, MSNBC executives concede that additional partisan Democratic viewers are likely to have tuned in to their network.

MSNBC's prime-time shows seem to have enjoyed a bou nce from the Romney tape, with all three up significantly. Competitively, that has been a boon especially to the 10 p.m. host, Lawrence O'Donnell, who has been much closer to - and occasionally ahead of - Greta Van Susteren on Fox.

On Tuesday, Mr. O'Donnell was well ahead with 535,000 viewers in the 25-54 category, to 383,000 for Ms. Van Susteren. On Wednesday he stayed ahead with 531,000, to 458,000 for the Fox host.

As the furor over the tape subsides, the bounce for MSNBC may subside as well. But the election season, with its additional interest for partisan political viewers, has pumped up that network in general. Its margin over the now hopelessly trailing CNN has never been bigger.

On Wednesday night from 8 p.m. to 11 p.m., MSNBC averaged 500,000 viewers in the 25-54 group, behind Fox's average of 579,000. CNN wasn't even halfway to either with just 207,000. In total viewers, Fox was well out in front with 2.73 million; MSNBC had 1.62 million; CNN bar ely managed a third of that with 652,000.

Bill Carter writes about the television industry. Follow @wjcarter on Twitter.



San Francisco Agency Expands Eastward

By STUART ELLIOTT

An innovative agency that works on brand strategy and design assignments, from advertising to app-building, for a blue-chip list of clients like Apple, Chipotle, Walt Disney, Food Network and Google is expanding for the first time outside its home base of San Francisco by opening an office in New York.

The agency, Sequence, is opening in New York with about a dozen employees at 337 Broome Street at the Bowery. Sequence has 50 employees at its headquarters in San Francisco.

The agency hopes to double the size of its New York payroll by the end of next year, Jashojit Roy, chief executive of Sequence, who is known as Jojo, said in an interview before a party Thursday evening to celebrate the opening of the office.

For Chipotle, Sequence has handled tasks that include brand positioning, logo design, digital work and even writing the funny sayings on the bags and cups the food and beverages go inside.

“We're not a traditional ad agency or a digital shop,” said Seth Bain, president of Sequence, who joined Mr. Roy for the interview.

“The business has taken a pivot since the introduction of the iPhone and the iPad,” Mr. Bain said, and agencies need to concentrate less on traditional tasks and more on “building brand experiences that are useful, usable and delightful” for consumers.

The largest clients in the Sequence New York office will be Chipotle and the Food Network cable channel, Mr. Bain said, and the office will also be working for WebMD. He and Mr. Roy are in discussions with potential clients as well, he added.

Other clients of Sequence handled from the San Francisco headquarters include Best Buy, Chevron, OpenTable and Peet's Coffee and Tea.



Publicis Groupe Buys LBi, and Another Digital Ad Agency Is Swallowed Up

By STUART ELLIOTT

The mad dash by the world's largest advertising holding groups to beef up their digital assets continued on Thursday as the Publicis Groupe, based in Paris, announced it had acquired  LBi, a big digital agency based in Amsterdam. In the all-cash deal, Publicis spent 416 million euros, or about $540 million, to buy the shares of LBi.

This purchase is latest in a series of acquisitions of digital agencies by Publicis; others include Digitas, Razorfish and Rosetta. Holding groups like Publicis, the Omnicom Group, WPP and the Interpublic Group of Companies are eager to increase their presence in the digital space as consumers and marketers increasingly clamor for all things digital.

There had been speculation in recent months that the Publicis Groupe and Omnicom had been closing in on LBi because LBi was among the few remaining big, independent digital agencies.

LBi has about 2,200 employees who work at 32 offices in 16 countries, including the United States. Marketer clients of LBi include Coca-Cola, Ikea, Johnson & Johnson and Volvo.

“The acquisition of LBi is another step forward in further strengthening our digital operations,” Maurice Lévy, chairman and chief executive of the Publicis Groupe, said in a statement.

Luke Taylor, chief executive of LBi, said in a statement that being acquired would enable LBi to “accelerate our strategic plans aimed at providing clients with a globally integrated offering.”

Among the other big digital agencies that have been acquired recently are AKQA, Big Fuel, Firstborn and Rosetta.

Stuart Elliott has been the advertising columnist at The New York Times since 1991. Follow @stuartenyt on Twitter and sign up for In Advertising, his weekly e-mail newsletter.



The Times to Disallow After-the-Fact \'Quote Approval\'

By MARGARET SULLIVAN

4:32 p.m. | Updated Full memo included at the end of this post.

The New York Times is drawing “a clear line” against the practice of news sources being allowed to approve quotations in stories after the fact.

The practice, known as quote approval, “puts so much control over the content of journalism in the wrong place,” the executive editor Jill Abramson told me in an interview. “We need a tighter policy.”

Times editors have been working on the policy for months, she noted - ever since a July story by Jeremy Peters revealed the practice as a widespread one that included many reporters.

A memorandum on Thursday says that “demand s for after-the-fact quote approval by sources and their press aides have gone too far.”

“The practice risks giving readers a mistaken impression that we are ceding too much control over a story to our sources,” it says. “In its most extreme form, it invites meddling by press aides and others that goes far beyond the traditional negotiations between reporter and source over the terms of an interview.”

It includes this firm directive: “So starting now, we want to draw a clear line on this. Citing Times policy, reporters should say no if a source demands, as a condition of an interview, that quotes be submitted afterward to the source or a press aide to review, approve or edit.”

Ms. Abramson said that she never wants to put obstacles to news-gathering in front of reporters but that “anodyne or generic quotes that are scrubbed or changed don't add anything” to stories.

If the practice were allowed to continu e, she said, “you will only see more control and manipulation” by news sources in the future. In making this move, The Times joins news organizations like The National Journal and Reuters in opposing quote approval; Reuters stopped short of an outright ban.

Ms. Abramson, who has many years of Washington reporting and editing in her own background, including a stint as Washington bureau chief, said she understands that “we'll lose interviews” because of the new policy.

Interviews without quote approval “will be seen as too risky” by news sources, she said. “The practice is so ingrained.”

She said there could be exceptions to the rule if there were critical information that would otherwise be denied to the reader, and if the exception were discussed with a senior editor in advance.

Believing that such a directive might be coming - and responding to a Monday column by David Carr and my blog calling for a clear policy - a number of reporte rs have been in touch with me this week to express their points of view.

One who provided thoughtful commentary was the White House correspondent Peter Baker. He wrote:

As much as I hate the practice, it grew out of a laudable desire on the part of newspapers to stop using so many blind quotes in White House stories. As I recall, it was during the late Clinton era and editors pushed us to go back to sources who spoke on background and get permission to use their names with specific quotes we were planning to use anyway but anonymously. Sources generally found that being on the record was not so worrisome (or career-threatening) once they knew what we actually wanted to use and they often agreed. As a result, stories that traditionally were filled with anonymous quotes began having more named sources. This was a benefit to our readers. Over time, sources began to take advantage of this and institutionalize it to the point that they came up with this na me for it, quote approval. It's grown way too common and has become an objectionable means of control by too many people who should frankly just talk on the record, especially paid spokesmen. But it's also a practice with tangible benefits for our readers and we should consider the trade-offs before making any hard-and-fast rules.

The memo recognizes that distinction:

We understand that talking to sources on background â€" not for attribution â€" is often valuable to reporting, and unavoidable. Negotiation over the terms of using quotations, whenever feasible, should be done as part of the same interview - with an  “on the record” coda, or with an agreement at the end of the conversation to put some parts on the record.  In some cases, a reporter or editor may decide later, after a background interview has taken place, that we want to push for additional on-the-record quotes. In that situation, where the initiative is ours, this is acceptable.  Again, quotes should not be submitted to press aides for approval or edited after the fact.

Ms. Abramson put it succinctly:  When possible, “it should be part of the same transaction.” She also said she realizes and sympathizes with the concerns of reporters who don't want to lose one of their ways of getting information to readers.

As the memo states:

We know our reporters face ever-growing obstacles in Washington, on Wall Street and elsewhere.  We want to strengthen their hand in pushing back against the quote-approval process, which all of us dislike. Being able to cite a clear Times policy should aid their efforts and insulate them from some of the pressure they face.

In the end, Ms. Abramson said, it is a control issue. “The journalist shouldn't be a supplicant,” she added.

The policy strikes me as both sensible and necessary.

Full Memo

Despite our reporters' best e fforts, we fear that demands for after-the-fact “quote approval” by sources and their press aides have gone too far. The practice risks giving readers a mistaken impression that we are ceding too much control over a story to our sources. In its most extreme forms, it invites meddling by press aides and others that goes far beyond the traditional negotiations between reporter and source over the terms of an interview.

So starting now, we want to draw a clear line on this. Citing Times policy, reporters should say no if a source demands, as a condition of an interview, that quotes be submitted afterward to the source or a press aide to review, approve or edit.

We understand that talking to sources on background - not for attribution - is often valuable to reporting, and unavoidable. Negotiation over the terms of using quotations, whenever feasible, should be done as part of the same interview - with an “on the record” coda, or with an agreement at the end o f the conversation to put some parts on the record. In some cases, a reporter or editor may decide later, after a background interview has taken place, that we want to push for additional on-the-record quotes. In that situation, where the initiative is ours, this is acceptable. Again, quotes should not be submitted to press aides for approval or edited after the fact.

We realize that at times this approach will make our push for on-the-record quotes even more of a challenge. But in the long run, we think resetting the bar, and making clear that we will not agree to put after-the-fact quote-approval in the hands of press aides, will help in that effort.

We know our reporters face ever-growing obstacles in Washington, on Wall Street and elsewhere. We want to strengthen their hand in pushing back against the quote-approval process, which all of us dislike. Being able to cite a clear Times policy should aid their efforts and insulate them from some of the pressure th ey face.

Any potential exceptions to this approach should be discussed with a department head or a masthead editor.



Judge Rejects Request by Actress That YouTube Remove Anti-Muslim Video

By BROOKS BARNES

LOS ANGELES - A state superior court judge on Thursday refused to force YouTube to remove a 14-minute video that has incited deadly violence in the Muslim world, rejecting a request by an actress who claims she was tricked into participating in the film.

Cindy Lee Garcia of Bakersfield on Wednesday filed a lawsuit, claiming fraud and slander, against Nakoula Basseley Nakoula, the producer of “Innocence of Muslims,” an anti-Muslim video that last week prompted protests and killings at United States Embassies in the Middle East. The suit, citing death threats to Ms. Garcia, sought an injunction against YouTube's continued distribution of the video, which parodies the Prophet Muhammad.

Judge Luis A. Lavin of Los Angeles County Superior Court declined to take action against YouTube, citing technical grounds and a federal law that protects third parties from liability for content they disperse. YouTube blocked the video in a handful of countries on its own volition after the violence broke out but has declined to remove it altogether after determining that its content - while incendiary - does not violate the company's terms of service regarding hate speech.

According to Ms. Garcia's suit, the actress was told she that was hired for “an adventure film about ancient Egyptians” and that the dialogue she was given to perform had no references to religion. However, the suit claimed that the YouTube video was dubbed and edited in a fashion that “made it appear that Ms. Garcia voluntarily performed in a hateful anti-Islamic production.”



A Tool for Comparing Post-Law School Prospects

By ANN CARRNS

Law schools have been getting a lot of attention lately, and not of the good kind. Too many law school graduates can't find decent-paying, long-term legal jobs and are having trouble paying back their student loans.

To help prospective legal scholars sort out their options, the Web site NerdWallet has introduced an online law school comparison tool. The tool uses employment information provided to the American Bar Association by law schools, as well as salary information gleaned from the law schools themselves. The tool is part of the financial site's new education-related offerings.

The tool allows users to choose up to four schools and - unlike other school ranking site s - lets them compare their stats side by side, said Joseph Audette, vice president of education and financial literacy at NerdWallet. Right now, the tool offers an analysis of 50 top schools, but it will eventually be expanded.

The goal is to help students choose a law school based on what they would like to do afterward, Mr. Audette said, “because the employment situation for law students is pretty challenging right now.”

With a few clicks, you can see the school's average graduating class size; how many students have jobs; how many go to law firms, clerkships or graduate school; and where the graduates end up geographically.

Or users can click on preset headings to see, for instance, the “best” schools in terms of the highest starting salaries for graduates (the University of Michigan, at an average of $128,201 overall), or the school with the best record of placing graduates students in judicial clerkships (Yale, 34 percent of its graduating cla ss).

The tool uses only long-term employment figures, and averages the numbers over two years (2010 and 2011; 2012 data isn't available yet).

Are you considering law school? Take a look at NerdWallet's tool and let us know what you think.



Taylor Swift\'s Record Label Continues Its Online-Offline Royalties Experiment

By BEN SISARIO

Three months after the record company behind Taylor Swift signed a historic deal with Clear Channel Communications, establishing for the first time a royalty for labels and recording artists when their songs are played on the radio, the company has signed a similar deal with another broadcaster.

The label, Big Machine, announced at a radio industry conference in Dallas on Thursday that it had made an agreement with Entercom Communications, which operates more than 100 stations in 23 markets in the United States.

The label gave few details about the agreement, but as with the Clear Channel deal it will involve Entercom's paying the label a royalty derived from its ad vertising revenues when it plays Big Machine acts on the air; in exchange, Big Machine will be paid a lower royalty for online streams than the fees that govern most Internet and satellite radio, which are set by federal statute.

“This agreement represents a bold step forward to align our interests with those of Big Machine and their artists,” David Field, Entercom's chief executive, said in a statement. “While the deal comes with some significant costs and risks, we believe that by working with the labels and the artist community to establish a new business model, we will ultimately enhance the opportunities for all parties concerned.”

In an arrangement that has irked record companies for decades, terrestrial radio stations in the United States pay royalties only to songwriters and music publishers, not to the record companies that provide the music they play. Broadcasters have long argued that labels don't need to be paid a royalty because they benefit from the promotion of airplay, and despite many tries over the years, labels have been able to persuade Congress to change the law.

In June, Clear Channel broke with radio's longtime stance through its deal with Big Machine, an independent label whose other acts include country stars like Tim McGraw, Rascal Flatts and Reba McEntire. The reason was the economic challenges of online radio, which still represents a small fraction of radio listening but is growing fast.

Because of federal laws passed in the 1990s, online broadcasters have to pay performance royalties to labels and artists in addition to what they pay publishers. Those fees increase with every listener, and the sum can be very large. Pandora Media, for example - which pays lower rates that traditional radio companies for online streams - paid about half its revenue last year in performance royalties to labels and artists.

Since Big Machine is a small company, its de als with Clear Channel and Entercom will have little effect on the overall economics of radio. But if similar deals are adopted widely, they have the potential to reshape the industry.

“As great and leading visionaries in the broadcast world continue to look into the future they are seeing where listeners are going in regards to how radio is being used now and where and how it will be used in the very near future,” Scott Borchetta, the president of Big Machine, said in the statement.

Whether other labels will follow suit is unclear. For them, the value of such deals depends on how much future digital revenue they would be giving up - potentially a great deal - in exchange for a new but most likely small revenue stream from radio.

Clear Channel has said it wants to make more such deals, but has not announced any others so far. At the conference in Dallas, Leslie Moonves, the chief executive of CBS, whose radio division owns 127 stations, indicated that h is company was not interested in making any change to its royalty system.

“The idea that we have to pay them to put their music on our radio stations is absurd,” Mr. Mooves said, according to an industry newsletter, RadioInfo.

Ben Sisario writes about the music industry. Follow @sisario on Twitter.



Richard Plepler to Replace Bill Nelson Atop HBO

By THE EDITORS

The chief executive of HBO, Bill Nelson, will be stepping down at the end of the year, and will be succeeded by Richard Plepler, currently a co-president at the network. HBO's parent company, Time Warner, made the announcement on Thursday. Under the new management structure, Eric Kessler will serve as president and chief operating officer, and and Michael Lombardo will serve as president for programming. Both will report to Mr. Plepler.



Pandora Keeps Growing, but Apple\'s Plans Add to the Uncertainty

By BEN SISARIO

Apple may soon be heading into the crowded field of Internet radio, a development considered momentous enough in the world of digital music that the day after Apple's plans emerged earlier this month, Pandora Media's stock plunged 17 percent and has still not recovered.

But it may not be so easy for Apple, giant that it is, to displace Pandora in the hearts of music fans. Pandora has amassed 55 million monthly users, and according to a new study by the NPD Group, which tracks consumer behavior, half of all Internet users in the United States were aware of Pandora, and half of those people used it. By comparison, 25 percent of Internet users were aware of iHeartRadio, the radio app of Clear Channel Communications, and 19 percent for Spotify.

“Pandora deserves credit for becoming the premier application beginning with the iPhone in 2008, and expanding to the new generation of devices,” Russ Crupnick, NPD's senior vice president of industry analysis, said in a statement announcing the report this week.

When it comes to music sales, however, Apple is dominant by a wide margin. According to NPD's research, Apple's iTunes store had a 64 percent share of all digital music sold in the United States for the second quarter, with Amazon a distant second at 16 percent. Apple sells so much music, in fact, that it has overshadowed all other retailers, digital or physical. According to NPD, Apple has a 29 percent share of all retail music.

With Apple's reach, and its ability to pre-install an app to every mobile device it ships, any Internet radio service it offers could quickly build a huge following.

The service was not mentioned during the announcement of the iPhone 5 last week, and Apple is said to be just beginning its licensing negotiations with music companies, a process that can take months. And with every month that Apple's service is delayed, Pandora's growing audience gets a little bigger. In the last year, its monthly user base has increased  nearly 50 percent, and so far it is showing no signs of slowing down.



Your Worst Financial Mistake

By ANN CARRNS

My husband and I have managed, so far, to avoid making a truly devastating financial mistake. I wish I could say this is because we're super savvy about money. But the truth is that, while we are diligent about saving, cautious with debt and try to do our homework on investments, there's a strong element of luck involved.

That's not to say we haven't made boneheaded choices that have hit our bank accounts - sometimes hard. Take my brilliant (not) decision 12 years ago, at the height of the Internet bubble, to put $2,000 in the Janus Mercury fund, which had dazzled us with its soaring performance. (I know, I know! All I can say is that I wasn't alone. At the peak of the dot-com bubble in early 2000, half o f the money flowing into mutual funds went to Janus funds, according to the Times columnist Joe Nocera.)

We all know how that story ended: Mercury burst along with the tech bubble, and so did most of my hard-earned money.

So I was somewhat comforted to read the results of a study just released by the Consumer Federation of America and the financial services firm Primerica, which found that two-thirds of middle-class Americans admit to having made costly financial mistakes.

Sixty-seven percent said that in the past they had made at least one “really bad” financial decision, and nearly half acknowledged making more than one. The median, or typical, cost of these blunders was $5,000, but the average was $23,000 (apparently because a few of those errors were real whoppers).

The analysis is based on a national telephone survey of 2,015 adults, conducted in July by ORC International. The margin of sampling error is plus or m inus 4 percentage points for middle-class queries.

Despite conceding such errors, though, large majorities of those surveyed said they thought they were “good” or “excellent” at managing their finances, like budgeting their income, managing credit card debt and saving for retirement.

Maybe that's because they learned a lesson from their mistakes. (My painful Mercury debacle taught me a hard but important one, about the folly of following the crowd and chasing hot returns.)

Or, maybe they're just all in denial.

What's the worst financial decision you've ever made, and how much did it cost you? Do you still think you're good at handling your finances, despite your mistake?



The Breakfast Meeting: Mother Jones Drives the Debate, and BSkyB Found \'Fit and Proper\'

By NOAM COHEN

With its release of a secretly recorded tape of Mitt Romney's description of the 47 percent who are “dependent” on government, the magazine Mother Jones this week has been driving the political debate. That's particularly good thing, Christine Haughney writes, for the 36-year-old left-leaning magazine, which has a circulation of just over 200,000 and a business model that is partly dependent on its readers' contributions. One reader visited the magazine's Washington bureau and dropped off a check.

  • In trying to move the debate beyond Mr. Romney's comments, the Republican National Committee on Wednesday released a videotape from 1998 of Barack Obama, an Illinois State Senator at the time, discussing “redistribution” of income, getting big promotion at the Drudge Report Web site. Yet the timing for this discussion is odd, writes Richard A. Oppel Jr. on The Caucus blog, because data “demonstrates that the nation has seen a significant redistribution of incomes over the past generation â€" from the poor and middle class to the rich, and especially to the very rich â€" all while government policies have also become less redistributive over the same period.”
  • Despite out-raising the Obama campaign over the summer, the Romney campaign hasn't been able to dominate in TV advertising, particularly now when it needs a push, Jeremy W. Peters and Nicholas Confessore reported. They explain that much of the more than $300 million the campaign reported raising this summer wasn't directly for the campaign: that total included donations to the Republican National Committee, state Republican organizations and Congressional races.

British regulators on Thursday concluded that the satellite-TV provider BSkyB was “fit and proper” to hold a broadcast license, an important endorsement for its biggest shareholder, Rupert Murdoch's News Corporation, Ravi Somaiya and Alan Cowell reported. The report from the Office of Communications, known as Ofcom, appeared to exonerate Mr. Murdoch in the hacking scandal that has engulfed News Corporation's British newspaper unit in concluding that BSkyB could retain its license to broadcast. The report did, however, raise questions about the competence of his son, James, who stepped down as nonexecutive chairman of BSkyB in April.

Fox is close to completing a deal with Major League Baseball that would add more playoff and regular-season games, in part to add content to Fox Sports One, a retooled version of its Speed channel, Richard Sandomir reported. By contrast, another cable broadcaster, TBS, will carry fewer games. Fox, which is hoping to build up a rival to ESPN, is expected to pay substantially more than $257 million a year it pays under its current contract, which ends after next season.

The dissident Chinese artist Ai Weiwei was producing journalism this week from Beijing, The Lede blog reported, posting video to YouTube and photographs to Instagram of a protest at the United States Embassy that included pelting the ambassador's car with objects. The protesters appeared to have spilled off from larger protests about the dispute between China and Japan over the control several tiny islands. In April, Mr. Ai was stopped from operating a webcam to stream video from his home and studio, apparently a commentary on the government's decision to put him under surveillance after releasing him from 81 days in detention.



Thursday Reading: More Expected to Pay Penalty Under Health Law

By ANN CARRNS

A variety of consumer-focused articles appears daily in The New York Times and on our blogs. Each weekday morning, we gather them together here so you can quickly scan the news that could hit you in your wallet.



Thursday Reading: More Expected to Pay Penalty Under Health Law

By ANN CARRNS

A variety of consumer-focused articles appears daily in The New York Times and on our blogs. Each weekday morning, we gather them together here so you can quickly scan the news that could hit you in your wallet.