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\'Downton\' Finale Seen by 8.2 Million Viewers

The third season finale of “Downton Abbey” attracted 8.2 million viewers to PBS on Sunday night, giving the public broadcaster even more reason to celebrate the surprise British hit.

Sunday’s viewership surpassed even the viewership for the third season premiere in January, when about 7.9 million viewers tuned in, a 20-year record for PBS. Not since the premiere of “The Civil War” in 1990 “have we seen numbers like this,” a public television station consultant said at the time.

PBS hopes to use the popularity of “Downton,” a co-production between WGBH’s Masterpiece and the British company Carnival Films, to bolster other Masterpiece series and public television as a whole.

In a news release on Tuesday, PBS and WBH said the seven-episode season ended “on a high note.” Many television shows have a spike in viewership toward the beginning but erode by the end of the season.

PBS made another favorable point: the finale on Sunday was up 50 percent, it said, from the finale of the second season, which had 5.4 million viewers this time last year. Still, “Downton” wasn’t the biggest show on television on Sunday night: AMC’s “The Walking Dead” gathered about 11 million viewers.

PBS decided to delay the United States premiere of “Downton” for several months; the series was broadcast in Britain in the fall. The strong ratings for the third season  in the United States are likely to persuade PBS to enforce a similar delay for Season 4, which is expected to have its premiere overseas this year.



F.B.I. File on Times Publisher Was Destroyed Before His Death

The files kept by the Federal Bureau of Investigation about Arthur Ochs Sulzberger, who led The New York Times as its publisher during its landmark publication of the Pentagon Papers, were destroyed 10 months before his death, according to records requests filed by a reporter.

John R. Bohrer, a 28-year-old contributing writer to Capital New York, said that he discovered the files had been destroyed after spending the last several months sending Freedom of Information Act requests to the F.B.I. and the National Archives. Mr. Bohrer, who is writing a book on Robert F. Kennedy, said that he originally submitted the requests because he was interested in the files that the agency had started to collect under its former director, J. Edgar Hoover.

Mr. Bohrer said he filed his first request with the F.B.I. on Oct. 4, five days after Mr. Sulzberger died. TheF.B.I. soon notified Mr. Bohrer that the files had been sent to the National Archives. After Mr. Bohrer sent another Freedom of Information Act request to the National Archives, the agency notified Mr. Bohrer that it had destroyed Mr. Sulzberger’s file on Dec. 1, 2011.

Mr. Bohrer noted that other files, like those kept on Rosa Parks and Walter Cronkite, were also destroyed, and he said he suspected that the government agency had not found anything unusual about Mr. Sulzberger.

“Had the actual file been kept and disseminated, it would have drawn a lot less attention than the eye-popping news that it was destroyed,” said Mr. Bohrer. “Personally I am doubtful that there was anything about the Pentagon Papers.”

Miriam Kleiman, a spokeswoman for the National Archives, said that death did not determine when a file was destroyed. “It’s our understanding that the status of the subject of the file is not pertinent to the schedule,” said Ms. Kleiman in a voice-mail message.! Eileen Murphy, a New York Times Company spokeswoman, had no comment about the F.B.I.’s destruction of the files. But she said about the New York Times files on Mr. Sulzberger that “our files remain intact.”



Warner Music Makes a Deal With Small Labels

When the Universal Music Group agreed to pay $1.9 billion for EMI’s recorded music business in late 2011, it faced major opposition from independent groups, who feared that Universal â€" already the biggest music conglomerate â€" would gain too much market power. Last year, European regulators ordered Universal to sell about a third of EMI’s recorded assets as a condition for approving the transaction.

The Warner Music Group, a smaller rival, is acting quickly to avoid the same regulatory headache for its recent $765 million deal for most of the assets EMI sold. It has struck an agreement with two independent trade groups to sell or license “a significant portion” of that music to small companies, according to a joint announcement on Tuesday by Warner and the two grous, Impala and Merlin.

The announcement did not specify which assets â€" or even how much music â€" would be made available as a part of the agreement, and a Warner spokesman declined to comment further.

The catalog that Warner bought, known as the Parlophone Label Group, includes two of EMI’s flagship labels, Parlophone and EMI Records; the EMI and Virgin classical catalogs; several formerly independent record companies; and a number of subsidiary companies across Europe.

Warner’s Parlophone deal is subject to the approval of European regulators. The news of Warner’s deal with the independents was first reported by The Financial Times.

Impala, a group in Brussels that represents thousands of small music companies, lobbied aggressively against Universal’s original deal, arguing that it would disrupt the balance of power among the three remaining major labels. In a statement included in Tuesday’s an! nouncement, Helen Smith, the group’s executive chairwoman, signaled her approval of Warner’s Parlophone deal â€" or at least a lack of opposition to it.

“Having not blocked the sale of EMI,” Ms. Smith said, “the result we have negotiated offers regulators the ‘best of both worlds’ in strengthening the independents by bringing more scale into the sector and by creating a more effective challenger to the Universal-Sony duopoly.”

Ben Sisario writes about the music industry. Follow @sisario on Twitter.



Meteor Videos Set Online Viewing Record

How did you watch the videos of the meteor that lit up the sky over Siberia last week If you’re like many people, you went straight to YouTube, where dozens of amateur videos were uploaded soon after the rare occurrence.

The most-viewed of all the videos, uploaded by the cable channel Russia Today, has received more than 26 million views. On Tuesday, an online measurement company, Visible Measures, reported that the meteor videos had collectively topped 138 million views on the video-sharing sites it tracks, like YouTube and DailyMotion. Visible Measures declared that the meteor was “the fastest video event ever to reach 100 million views.”

That’s a testament to the growth of online video and to the unique qualities of the “video event,” as the measurement company put it. According to NASA, the meteor weighed about 7,000 tons; as Andrew E. Kramer reported in Tuesday’s New York Times, it was “the largest known celestial body to enter Earth’s atmosphere in 100 years.” The astonishing shock wave that accompanied it injured more than a thousand people.

Thanks to YouTube and sites like it, viewers around the world could see the meteor from dozens of angles. Visible Measures counted more than 400 uploaded videos of the meteor, though some of those may have been duplicates.

Television networks quickly pulled together highlight reels of the videos for their newscasts, further extending the reach of the amateur videos. News Web sites like CNN.com and NYTimes.com did the same thing. But Visible Measures does not count news Web sites, so the fact that the amateur videos topped 100 million views by its count shows that many Web users like to see the source material for newscasts.

“Velocity is a big factor with massive onli! ne events,” the company said in a blog post Tuesday. “The more urgency people feel to be part of the conversation and to be a part of the moment, the more views a video event will generate. We saw the same story play out with Kony and Stratos.”

Kony was a campaign by a nonprofit group to raise awareness about Joseph Kony, the head of the Lord’s Resistance Army, an African guerrilla group. Videos related to the campaign topped 100 million views in six days last year. Stratos was a daredevil’s record-breaking jump from the stratosphere, sponsored and televised by Red Bull. Videos related to the jump topped 100 million views in five days.

“But the meteor had something those campaigns didn’t,” Visible Measures said. “We all had to watch it, in shock, ae and terror.”

The company’s data showed that the meteor videos gained 73 million views on Saturday, one day after the incident gained worldwide headlines. That one-day total was a record, the company said. “Kony previously held that record with 41.3 million views in a single day. Red Bull’s Stratos comes in a close third with 40.9 million views.”



Jay-Z Follows Top Publishing Executive to Warner Music

Music publishing, the side of the music business that deals with songwriters, is usually less visible than the star-filled recordings side, but it still has its share of intrigue and high-profile defections.

Last year, after Sony/ATV took over EMI Music Publishing to create the world’s biggest song catalog, Jon Platt, a top EMI executive and one of the most prominent figures in urban music, left the company to join a rival, Warner/Chappell, part of the Warner Music Group. Now the first big fruit of that move has become clear with the signing of one of EMI publishing’s marquee names: Jay-Z.

Led by Mr. Platt (a 6-foot-8 figure widely known in the industry as Big Jon), Warner/Chappell has signed Jay-Z to a publishing administratin deal for his future work as well as his music since 2008. Through a separate deal, Warner/Chappell will also represent the songwriters at Jay-Z’s entertainment and management company, Roc Nation.

Among those writers are Philip Lawrence, a part of the Smeezingtons songwriting and production team that also includes Bruno Mars; Symbolyc One, or S1, who has written hits with Kanye West, Beyoncé and 50 Cent; and Rita Ora, a rising young British singer and songwriter.

According to two people briefed on the talks, Mr. Platt is also said to be in advanced negotiations with another top EMI Publishing artist who is very close to Jay-Z: Beyoncé, his wife. These people spoke on condition of anonymity because the talks were private.

The deals raise the question of how many other EMI songwriters will follow suit. Among the publisher’s other top urban writers â€" many of them signed by Mr. Platt in his 17 years there â€" are Kanye West, Ms. Keys, Drake a! nd Usher.

The deals also suggest that there may have been something to the industry rumors last year that Mr. Platt would join Roc Nation. He has been closely associated with Jay-Z since almost the very beginning of the rapper’s career; in one example of that relationship, he helped orchestrate the collaboration with Alicia Keys that became one of Jay-Z’s biggest hits, “Empire State of Mind.” Ultimately Mr. Platt was lured to Warner by Cameron Strang, its publishing chief, but his ties to Jay-Z and Roc Nation apparently remained strong.

In a statement, Jay-Z said, “The real meaning of success is being in the position to work with an individual you consider a friend. Jon Platt is such a person.  He’s a man of extraordinary character as well as a remarkably talented executive with an ear for music and an eye for talent. It’s great to watch him grow to be one the best in the business.”

Ben Sisario writes about the music industry. Follow @sisario on Twitter.



Does the \'House of Cards\' All-You-Can-Eat Buffet Spoil Social Viewing

For many viewers, one of the pleasures of watching the favorite-of-the-moment TV series is gathering around the digital water cooler to hash out the plot points, quibble with the details (“How could the truck not hear Matthew coming Did they have mufflers in 1920”) or share the satisfaction when a character gets his comeuppance.

So where to put “House of Cards” Given that all 13 episodes were released by Netflix on Feb. 1, when is it O.K. to say something about the nasty turn in Episode 3 or the surprise in Episode 11 Are those of us who binged on the whole thing supposed to restrain ourselves for fear of spoiling it for someone else

The series, which stars Kevin Spacey as a rapacious congressman who will mow down anyone to get what he wants, challenges the norms of “social television.” As Brian Stelter wrote soon after the series deuted, an evolving ethos has been in for further disruption.

These are the conundrums that accompany the decadeslong shift from “appointment viewing” to the on-demand kind â€" and they’re heightened by Netflix, which is plowing new ground by trying to make network-quality programming exclusively for the Web.

But the all-at-once release also raises business and audience issues as well. It effectively drains the water out of the cooler, with no single place for people who have watched a particular episode to gather. (The show’s audience ratings are not being handled in the conventional way: Netflix knows how many people are watching, but isn’t saying.)

That online conversation can create significant tune-in even after a series is deep into its first run. “Girls,” a much written-about but not highly rated series from HBO, no doubt benefited from a recent online discussion over Episode 5 of Season 2. Hannah, the lead character, had a seemingly unlikely entanglement with a handsome older guy played by Patrick Wilson, sparking a lot of chatter.

And some data from Trendrr suggests that the series, which made a big splash in social media to begin with, has since faded significantly from the conversation. Absent the long tail of online chatter, Netflix is missing out on the secondary bounce of people who want to catch up with the show when they see that many others are talking about it.

Source: Trendrr

It’s not as if “House of Cards” isn’t being talked about â€" but no one is really talking about the same thing because we all received the whole batch to begin with. The show is bein watched on a schedule of our own making. “House of Cards” may be new, but it is probably being watched in pieces like an older show, say Season 1 of “Breaking Bad.” And there is something to be said for the anticipation of a single episode coming out once a week.

“That lack of scarcity, of windowing like traditional television, means that they aren’t going to get those spikes in conversation,” said Mark Ghuneim, chief executive of Trendrr. “After you binge, you don’t have a place to talk about it because everyone is on a different cadence.”

“House of Cards” did get a social media bump, a big one, but then it went away.

“I think the lump-sum payout of buzz for ‘House of Cards’ flooded the conversational channels in a way that squandered the cultural currency it could have had,” suggested Simon Dumenco, who writes the Media Guy column for Advertising Age. “Imagine if we were all talking about ‘House of Cards’ over a full 13 weeks â€" with a tradi! tional we! ekly release of its 13 episodes â€" instead of all at once.”

Mr. Dumenco pointed out that the all-at-once push into the market mirrors that of a big Hollywood movie â€" a large ad buy and a big media rollout with the stars â€" which fails to use some of television’s traditional strengths.

“I’d argue that there’s something tried-and-true and comforting and actually highly desirable about episodic television that sticks to a weekly schedule,” he added.

At some point, it will be all right to talk about the late-season’s dark turn of events â€" did CHARACTER NAME really BLANK CHARACTER NAME â€" but that time has probably not come.

Out on Twitter, opinions vary about what constitutes a spoiler in an evolving age.



NBC News Hires David Axelrod as Political Analyst

NBC News announced Tuesday that it had hired David Axelrod, the chief political strategist for both of Barack Obama’s presidential elections, as a full-time political analyst for the news organization.

He will appear on news programs for NBC’s broadcast network and for its cable news channel MSNBC. That channel has positioned itself aggressively as the liberal counterpart to the conservative-leaning Fox News Channel.

Mr. Axelrod’s hiring at MSNBC emulates Fox’s hiring of Karl Rove, who filled the similar political post for George W. Bush.

The path from political adviser to expert commentator on television has been well trod. George Stephanopoulos, who advised President Clinton , joined ABC News as a journalist. He is, of course, now the anchor of “Good Morning, America” for ABC.  And MSNBC already employs Steve Schmidt, the senior strategist for the losing campaign of Senator John McCain.

Mr. Axelrod most recently was named political director at the Institute of Politis as the University of Chicago, his alma mater, and a Distinguished Fellow at the Harris School of Public Policy.

He began his career as a journalist, working for the Chicago Tribune. He began in politics in 1984 and founded a media and consulting firm, Axelrod and Associates.



The Breakfast Meeting: Nascar Tries to Expand Its Audience and Esquire Network Defines the Modern Man

Nascar has begun a new advertising push to attract young, urban and multicultural fans to augment their current audience of predominantly older, rural, white men, Stuart Elliott writes. Nascar hired Ogilvy & Mather Worldwide, a sophisticated Madison Avenue giant, to handle a campaign that would include commercials in Spanish and emphasize online offerings like Nascar.com and the 2013 edition of Fantasy Nascar. The initiative will be formally introduced on Sunday during coverage of the Daytona 500 on Fox and will feature television commercials with drivers standing in dramatic poses making emotional statements for the camera.

Finally, Neil Genzlinger explains, the Esquire Network, an NBC property that will replace the little-known G4 channel, is going to define what a moden man is. Bonnie Hammer, head of NBC’s cable group, described the channel as “an upscale Bravo for men,” and the network’s general manager, Adam Stotsky, said it would define modern men as interested in more than “tattoos or pawn shops or storage lockers or axes or hillbillies.” Little is known about the Esquire Network’s plans for alternative entertainment, but proposed shows like “Knife Fight” (a cooking show that appears to be indistinguishable from the others on TV) and “The Getaway” (a travel show that may prove redundant when there is already a Travel Channel) seem quite similar to “the low-aspiration gunk” that pervades many cable channels, Mr. Genzlinger says.

First Response is advertising its pregnancy test and ovulation prediction kit for Spanish-speaking audiences for the first time, Tanzina Vega reports. The ads first aired on Monday on networks like U! nivision, Galavision, Telemundo and MTV Tres. They contain the same message as First Response’s English ads but feature Cynthia Olavarría, actress and the former Miss Puerto Rico. First Response will also introduce a microsite, TheFirstResponseDifference.com, to complement the commercials.

The Walt Disney Company announced on Monday that Hong Kong Disneyland had turned a profit for the first time, Brooks Barnes writes. The seven-year-old park made $14 million during the last fiscal period, not staggering but certainly an improvement over the $31 million lost over the previous period. The question for the future is how Disney’s mega-resort, planned to open in Shanghai in 2015, will affect the Hong Kong park.

“Argo,” “Zero Dark Thirty” and “Searching for Sugar Man” were the big cinematic winners at the Writer’ Guild Awards, Melena Ryzik writes. “Argo” has now swept the major guild awards, which includes producers and directors as well as writers, meaning that the film is a presumptive favorite for the coveted best picture Oscar.



The Breakfast Meeting: Nascar Tries to Expand Its Audience and Esquire Network Defines the Modern Man

Nascar has begun a new advertising push to attract young, urban and multicultural fans to augment their current audience of predominantly older, rural, white men, Stuart Elliott writes. Nascar hired Ogilvy & Mather Worldwide, a sophisticated Madison Avenue giant, to handle a campaign that would include commercials in Spanish and emphasize online offerings like Nascar.com and the 2013 edition of Fantasy Nascar. The initiative will be formally introduced on Sunday during coverage of the Daytona 500 on Fox and will feature television commercials with drivers standing in dramatic poses making emotional statements for the camera.

Finally, Neil Genzlinger explains, the Esquire Network, an NBC property that will replace the little-known G4 channel, is going to define what a moden man is. Bonnie Hammer, head of NBC’s cable group, described the channel as “an upscale Bravo for men,” and the network’s general manager, Adam Stotsky, said it would define modern men as interested in more than “tattoos or pawn shops or storage lockers or axes or hillbillies.” Little is known about the Esquire Network’s plans for alternative entertainment, but proposed shows like “Knife Fight” (a cooking show that appears to be indistinguishable from the others on TV) and “The Getaway” (a travel show that may prove redundant when there is already a Travel Channel) seem quite similar to “the low-aspiration gunk” that pervades many cable channels, Mr. Genzlinger says.

First Response is advertising its pregnancy test and ovulation prediction kit for Spanish-speaking audiences for the first time, Tanzina Vega reports. The ads first aired on Monday on networks like U! nivision, Galavision, Telemundo and MTV Tres. They contain the same message as First Response’s English ads but feature Cynthia Olavarría, actress and the former Miss Puerto Rico. First Response will also introduce a microsite, TheFirstResponseDifference.com, to complement the commercials.

The Walt Disney Company announced on Monday that Hong Kong Disneyland had turned a profit for the first time, Brooks Barnes writes. The seven-year-old park made $14 million during the last fiscal period, not staggering but certainly an improvement over the $31 million lost over the previous period. The question for the future is how Disney’s mega-resort, planned to open in Shanghai in 2015, will affect the Hong Kong park.

“Argo,” “Zero Dark Thirty” and “Searching for Sugar Man” were the big cinematic winners at the Writer’ Guild Awards, Melena Ryzik writes. “Argo” has now swept the major guild awards, which includes producers and directors as well as writers, meaning that the film is a presumptive favorite for the coveted best picture Oscar.



Marco Rubio: The Electable Conservative

Some commentators have expressed surprise upon learning about the very conservative voting record of Senator Marco Rubio of Florida, who delivered the Republican response to the State of the Union address last week.

Since winning his Senate seat, Mr. Rubio has generally sided with other Republicans as part of a party that has steadily grown more conservative over the last three decades. (Mr. Rubio’s recent support for immigration reform is more of an exception than his usual rule of sticking to the party line.)

Being reliably conservative, however, is hardly a liability for someone who might hope to win the Republican presidential nomination in 2016. Indeed, the reason to watch Mr. Rubio carefully is that, among the candidates who will be deemed reliably conservtive by Republican voters and insiders, he may stand the best chance of maintaining a reasonably good image with general election voters.

How does Mr. Rubio’s conservatism compare to the other men and women who might seek the Republican nomination in 2016 â€" and to other candidates, like Mitt Romney, that the G.O.P. has nominated recently

There are several statistical methods that seek to rate candidates’ ideology on a left-right scale. FiveThirtyEight uses three of these methods in evaluating the ideology of Senate candidates as part of our technique for forecasting those races. The same methods can be applied to presidential candidates.

The first of these systems, DW-Nominate, is based upon a candidate’s voting record in the Congress. The second method, developed by! Adam Bonica, a Stanford University political scientist, makes inferences about a candidate’s ideology based on the identity of groups and individuals who have contributed to his campaign. The third method, from the Web site OnTheIssues.org, works by indexing public statements made by the candidate on a variety of major policy issues.

Not every rating system is available for every candidate: those who have never served in Congress have no DW-Nominate score, for example. And the methods sometimes disagree. The libertarian-leaning Senator Rand Paul of Kentucky is rated as being extremely conservative by DW-Nominate and by Mr. Bonica’s method, which tend to give more emphasis to a candidate’s record on economic issues. But he is rated as fairly moderate by OnTheIssues.org, which also evaluates his stances on social policy. Sarah Palin is also rated as extremely conservative byMr. Bonica’s system, but as relatively moderate by OnTheIssues.org. (Keep in mind that before being selected as John McCain’s running mate, Ms. Palin had some history as a reform-minded governor of Alaska.)

Nevertheless, we can usually get a reasonably good objective measurement of a candidate’s ideology by essentially taking an average of the three approaches. (Because the measures are not on the same scale, I normalize Mr. Bonica’s scores and the OnTheIssues.org scores to give them the same mean and standard deviation as DW-Nominate.) The higher the score, the more conservative the candidate.

DW-Nominate scores normally run on a scale that goes from negative 1 for an extremely liberal candidate to positive 1 for an extremely conservative one. To make the result more legible, I have multiplied all scores by 100! â€" so t! hat, for instance, a moderate Republican might have a score of 25 rather than 0.25. Mr. Rubio achieves a score of 51 by this method. What does that mean, exactly

The last two Republican presidential nominees, John McCain and Mitt Romney, had a score of 39 by comparison, meaning that they were more moderate than Mr. Rubio. Mr. Rubio is also rated as being to the right of Ronald Reagan, who had a score of 44, and George W. Bush, who had a score of 46. Among Republican presidential nominees since 1960, in fact, only the extraordinarily conservative Barry Goldwater, who had a score of 67, rates as being more conservative than Mr. Rubio.

But Mr. Rubio stands out less when compared to Republicans of today. Whereas in 1980 the average Republican member of Congess had a score of 30, the average Republican in the most recent Congress had a score of 48, very close to Mr. Rubio’s. Thus, my contention that Mr. Rubio is a good representative of the Republican Party as it stands today.

This is a potentially advantageous position for a Republican competing in the presidential primaries. In both parties, nominees have usually come from the center of their parties, rather than from the moderate or the “extreme” wings. There are exceptions: Mr. Reagan, although he would fit right into the Republican Party today, was much more conservative than most of his contemporaries in 1980. But in general, Mr. Rubio is pretty close to the sweet spot of where a presidential nominee might want to be.

There are some viable candidates to Mr. Rubio’s right. The 2012 Republican vice-presidential nominee, Representative Paul D. Ryan, rates a score of 55, slightly more conservative than Mr. Rubio. Scott Walker, the governor of Wisconsin, rates a 57.

Mr. Rubio,! however,! has had net-positive favorability ratings among the general electorate in the most recent surveys, whereas the Republicans to his right usually have not. Mr. Ryan’s favorability ratings, for example, wound up being about break-even after the 2012 campaign.

This is not to say that Mr. Rubio is extraordinarily popular. Gov. Chris Christie of New Jersey has favorability ratings that are much stronger than Mr. Rubio’s, for example. Mr. Christie rates as being far more moderate by these statistical methods, however, having broken with his party not just on immigration, but also on issues like gun control and environmental policy, which could be a problem for him with Republican primary voters. (If nominated by the Republicans in 016, he might possibly be the most moderate major-party nominee since Dwight D. Eisenhower).

Other potential candidates, including former Gov. Jeb Bush of Florida and Gov. Susana Martinez of New Mexico, are close to Mr. McCain and Mr. Romney on the ideological spectrum.

Isn’t it premature to draw attention to a candidate’s popularity so far in advance of the primaries Certainly, a great deal will change between now and 2016.

But long before Republican voters in Iowa and New Hampshire cast their ballots, the potential nominees will be competing against one another in the so-called “invisible primary.” In this stage, which is already under way, the candidates hope to persuade party insiders that they represent the best path forward for Republicans in 2016. The more successful they are at doing so, the more they will be rewarded with money, endorsements and the talent to run their campaigns, giving them a huge advantage once voting actually does begin three years from now.

!

Mr. Ru! bio’s most persuasive pitch to Republican Party insiders may well be that he is more popular than other, ideologically similar candidates. Some of those candidates, like Mr. Ryan, can probably offer a richer intellectual defense of conservatism, or can claim to have been better vetted. Several others, like Gov. Bobby Jindal of Louisiana, have more executive experience. Mr. Rubio’s relatively favorable public image represents his comparative advantage. (There are also the facts that Mr. Rubio is Hispanic and is from Florida, but these advantages boil down to electability as well: the possibility that he might help Republicans make gains with Latinos, and that he could give them a lift in an especially important swing state.)

What makes matters tricky for Mr. Rubio is that, at the same time he is hoping to persuade Republican party insiders that he deserves their support, he will also need to maintain a reasonably good image with the broader electorate lest his electability argument be undermined. Tis may lead to some strange positions, such as when Mr. Rubio recently critiqued President Obama’s immigration proposal despite its many similarities to his own.

When the wider electorate learns that Mr. Rubio’s positions are in fact hard to differentiate from those of other conservative Republicans, will his favorability ratings revert to being mediocre, as Mr. Ryan’s now are

This is not meant as a rhetorical question. One measure of political talent, and something that characterized both Mr. Reagan and Mr. Obama, is the ability to sell ideas to voters across a wide range of the political spectrum. Perhaps Mr. Rubio will prove to be such a talent. Otherwise, if Mr. Rubio holds a fairly ordinary (and conservative) set of Republican positions, chances are his popularity ratings will wind up being ordinary as well.