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A New Bank Lets You Choose Charity for Rewards

A new online bank is hoping that better-than-average savings rates, and the lure of charitable giving, will attract new deposits.

The bank, ableBanking, is offering those who open a new account a donation of $25 to the charity of the customer's choice - any 501c(3) organization will do. Then, each year on the anniversary of the account's opening, the bank will donate the equivalent of 0.25 percent annual percentage yield (25 basis points) of the account's average balance to that charity.

The bank's money market savings account, for instance, is currently paying a 0.96 percent annual percentage yield. So if an account has an average balance of $10,000, at the end of the first year the customer will have earned $96 in interest, and the bank will donate another $25 to the charity, for a total of $50 donated. (A minimum deposit of $1,000 is necessary to open an eligible account).

So why not just find an account paying an extra 25 basis points over ableBanking's offerings, and then make a charitable donation yourself?

AbleBanking's founders say that is not easy to do, because its savings rates are competitive with those offered by other, similar banks, based on rates listed at Bankrate.com. And the idea here is to encourage group efforts to maximize the amount of money donated to a cause. For instance, supporters of a specific charity - say, a local food bank, or even a Little League baseball team - could all agree to open accounts and direct the donations to that recipient. If 10 people opened accounts and selected the food bank, that would be at least $250 going to the charity.

“The attractiveness is the power of collective giving,” said Richard Wayne, the bank's co-founder and chief executive.

The bank's interest rates ar e not “teaser” rates (although they are subject to change, as are any bank's rates), nor is the charitable donation a temporary offer, he said. “The very heart of the product is the charitable component,” he said.

The money for donation to charity comes in lieu of expensive marketing, the founders said. AbleBanking is focusing its efforts mostly online, forgoing expensive options like billboards and television ads.

When customers create accounts, they can select their charities in several ways. They can choose one of ableBanking's partner charities, listed on the Web site; these are based in Boston, since the site began as a pilot program there. They can also search for charities in their communities by ZIP code or search a list of national charities.

AbleBanking is a division of Northeast Bank, a community bank based in Lewiston, Me., with 10 branches. The bank's parent, Northeast Bancorp, is publicly traded (Nasdaq: NBN). While ableBanking has no brick-and-mortar branches, it does have customer service available seven days a week through Northeast Bank's call center in Maine.

The bank isn't aiming to replace your traditional checking account; it's meant just for savings, says Heather Campion, the bank's chief administrative officer. But as with other direct banks, regular deposits can be set up from a checking account into ableBanking.

What do you think of ableBanking's concept? Would you open an account there to help a charity?



Google Signs Deal With Warner Music Group

Google got one of the key pieces of its digital music puzzle in place over the weekend when it finally signed a deal to bring the catalog of the Warner Music Group - with Green Day, Madonna, Neil Young, the Red Hot Chili Peppers and hundreds of other acts - to its Play store.

The news of the deal was tucked in a Google company blog post on Monday that was mostly about new models of its Nexus phones and tablets. But for Google's music service, which has struggled to gain traction against iTunes, Amazon and the myriad of other digital services, it is an important step. It means that Google's millions of Android users - whose devices do not have iTunes - will finally have an essentially complete catalog of MP3s to buy.

“We're now working with all of the major record labels globally, and all the major U.S. magazine publishers, as well as many independent labels, artists and publishers,” wrote Andy Rubin, the company's senior vice president of mobile and digital content.

Google also announced in its blog post that its music store will open in Western Europe on Nov. 13.

In Europe, it will also introduce “scan and match,” a key feature for cloud music which matches songs on a customer's computer to a master database on Google's servers, allowing users to skip the laborious task of uploading every single song. (The feature will not be ready in the United States until “soon after” its introduction in Europe on Nov. 13, Mr. Rubin wrote.

Warner controls about 15 percent of the world's recorded music market, according to the trade publication Music & Copyright. But it was absent when Google announced its MP3 store last November; Warner was also the last of the big record labels to sign a deal with Spotify.

In March, Google consolidated its MP3 store, along with the Android app marketplace and stores for movies, television and magazines, under the umbrella of Play. Its bra nding efforts included a truck that gave out free ice cream at the Celebrate Brooklyn concerts in New York this summer.



As Sandy Takes Its Time, TV News Is an Endless Loop of Anticipation

A TV reporter walks the beaches of Atlantic City, N.J., on Monday morning.Stan Honda/Agence France-Presse - Getty Images A TV reporter walks the beaches of Atlantic City, N.J., on Monday morning.

One of the blessings of Hurricane Sandy, if there are any, is its status as a very slow moving weather event.

The lead time has given people in the affected area - a broad swath of the Northeast and the Mid-Atlantic - days to make way for what is set to be a very destructive visitor. But people who turned on their televisions in search of up-to-date information could not be blamed for thinking that they had tuned into a storm-themed sequel to “Groundhog Day,” the film where a television weatherman, played by Bill Murray, wakes up to find the same day, running in replay, over and over.

Since Friday, and even before that, all-news channels and local TV stations in the areas in the hurricane's path have had to find a different way to say the same thing over and over.

The people in the studio do the toss to the reporters in the wind/rain/surf who say the storm is bad and getting worse, and then it is back to the studio, where the anchors repeat the following information: Sandy is dangerous; if you have been told to evacuate you should (this from media outlets whose reporters are standing in or near menacing waves); and once the storm arrives, it will wreak significant havoc. (Poynter, the media news site, had seen enough clichés crashing onto the shore to make GIFs of the more ubiquitous ones - people stocking up on groceries, the God's-eye satellite map of the storm itself and, of course, the reporter standing in the elements.)

It can be a silly spectacle, while important at the same ti me, which makes it hard to look away, especially when you are finished with whatever preparations you can do for a storm and are locked down inside the house. Once that's done, you can read the parade of both earnest updates and storm snark on Twitter, play board games, or turn on your television. And the storm will find you on almost every click of the dial.

Part of what is taking place is that Sandy is making landfall - very slowly - not just in one of the most populated places in the United States, but in one of the most thickly mediated places on the planet. The region is rife with national and local news outlets, all competing to be the go-to source for a captive audience.

The endless coverage takes on an air of sameness, even though the implications are dire. A word cloud of Monday morning's coverage would include the word “again” in three-foot-high letters. “Again, we have to remind again that this may be, again, one of the worst storms in the history, again, of this region.” Again, we got that.

“Worse than Irene” was trending on-air Monday, as was, “Get out now!” “Monster storm” is becoming a trademark of Sandy coverage, in part because it makes a natural event sound like a movie and partly owing to its size, duration and area of impact. Makes you wonder what will be left in the bank of hyperbole for tonight when Sandy actually makes landfall.

One of the major building blocks of the storm coverage has come from the news conferences, daily and sometimes more frequently, from local politicians, who find both opportunity and responsibility in the task of leading the public through a crisis.

Mayor Michael R. Bloomberg has been a steady and steadying presence at the mic, speaking both English and Spanish. And there is something vaguely hypnotic about the sign-language interpreter who is always at his side. Her ability to convey “over-topping,” “storm surge ” and “tunnel closure” in vivid, nonverbal terms is remarkable to behold.

Gov. Chris Christie of New Jersey is a natural - folksy and forthright - when it comes to telling people what to do. “If it looks stupid, it is stupid,” he said at a news conference on Sunday afternoon, speaking of people's efforts at jury-rigged power sources.

Speaking of people acting stupid, if news outlets want great video, they only have to head nearer to the ocean. And for the sake of the viewing audience, reporters need people who don't have the common sense of a bag of hammers.

Just after noon on Monday, CNN's Suzanne Malveaux found the money shot in Lindenhurst, on Long Island, in a live shot with reporter Jason Carroll. He was standing knee-deep in water, natch, but he was far from alone.

There was the family in a boat with a dog, finally persuaded to leave by the fact that, um, their house was flooding. While Mr. Carroll was talking to them, a guy tried to ride his bike through thigh-high water. Another guy chose a kayak, a wiser move, and great video to boot, given that they were filming on what had been a residential street.

But next to him? A guy lying down in full scuba gear. Tanks, goggles, breathing apparatus, the whole nine. Mr. Carroll stepped up to the guy, whom we will call Aqualung.

“What might convince you it was time to leave?” Mr. Carol asked.

“I dunno, maybe if they declared martial law?” Mr. Aqualung said.

Back to you, Suzanne.



Barnes & Noble Continues Push in Britain

Barnes & Noble said on Monday it would begin its first advertising campaign in Britain, focusing on its Nook reader with built-in light as a way to grab customers before Christmas time.

The ads, which begin Monday part of an aggressive recent push by the book store chain to gain e-reader market share in Britain. The company, which already has agreements to sell their eReaders through supermarket chains like Sainsbury, Dixons, and Waitrose, also announced a new partnership with Asda, another supermarket chain. The e-readers will be available in 300 of Asda¹s stores as well as on its Web site.

Currently the company says it has it products in 1600 retail outfits in Britain and will expand to over 2,500 in the coming months.

Barnes & Noble is struggling to position its Nook against competitors like Amazon¹s Kindle and Apple¹s iPad. In Britain it is promoting its e-ink devices like the Nook Simple Touch and the Nook Simple Touch GlowLight, which has a buil t-in reading light.

The campaign in Britain, which includes print and online ads as well as a 30-second television spots, focuses on couples where one partner is trying to sleep and the other is disturbing them by keeping a light on for reading. Barnes & Noble says its research shows that this is a common source of bedtime arguments.

“This is a common clash between couples at bedtime,” said Patrick Rouvillois, international managing director for Nook Media, LLC., in a written statement. “Our new campaign sheds light on this age-old issue and celebrates its resolution with Nook Simple Touch GlowLight.”

In August, the company announced that in the quarter ending July 28, Nook sales were flat over the previous year, at $192 million.



Shows Go On for Letterman and Fallon, but Kimmel\'s Brooklyn Broadcast Won\'t

The arrival of Hurricane Sandy changed plans Monday for several television shows that tape in New York.

ABC's Jimmy Kimmel, who had planned a week of shows from Brooklyn, will not go forward with Monday night's show, he announced about noon. The show hopes to return Tuesday, depending on the conditions.

Both Jon Stewart and Stephen Colbert canceled Monday's shows on Comedy Central, and the network said that a decision on Tuesday's shows was yet to be made.

As of midday Monday, producers of David Letterman's late-night show on CBS and Jimmy Fallon's on NBC said they planned to go ahead with the shows. Mr. Letterman's executive producer, Rob Burnett, said that the show would move up the taping time to 3:30 p.m.

But the producers on both shows said they were concerned about whether they would be able to find live audiences, with the New York subways closed.

Mr. Burnett said, “We don't know if we'll have an audience at all, but we will do a show anyway.”

Bill Carter writes about the television industry. Follow @wjcarter on Twitter.



Anderson Cooper Talk Show Won\'t Return for a Third Season

Anderson Cooper during a taping of his show Ali Goldstein/Warner Brothers Anderson Cooper during a taping of his show “Anderson.”

The syndication arm of the Warner Brothers studio, Telepictures, has decided that there will not be a third season of “Anderson,” the daily talk show hosted by Anderson Cooper.

Citing disappointing ratings, a studio executive, who insisted on not being identified because the studio planned no official release on the decision, said on Monday that the entire talk television market has been struggling to build audiences. Mr. Cooper's show will end after the summer.

The executive spoke because some of the stations that have been carrying Mr. Cooper's show have begun making feelers about replacement shows, and the news was certain to leak out through one of them, the executive said.

Telepictures issued statement on Monday:

“We are extremely proud of Anderson and the show that he and the entire production team have produced. While we made significant changes to the format, set and produced it live in its second season, the series will not be coming back for a third season in a marketplace that has become increasingly difficult to break through. We will continue to deliver top-quality shows throughout next summer.”

Mr. Cooper released his own statement:

“I am very proud of the work that our terrific staff has put into launching and sustaining our show for two seasons, I am grateful to Telepictures for giving me the opportunity, and I am indebted to the audience, who have responded so positively. I look forward to doing more great shows this season, and I'm sorry we won't be continuing, but I have truly enjoyed it.”

The decision was not a reflection of any lack of faith in Mr. Cooper, the executive said, but an acknowledgement of the business realities in daytime talk television.

The studio “could have renewed the show but could not create a viable economic business model to move forward,” the executive said.

Even the much anticipated new Katie Couric talk show has not yet emerged as a bona fide hit, the executive said. And new shows with other hosts, including Jeff Probst and Ricki Lake, have fared poorly.

But Mr. Cooper, who is also a mainstay in prime time on CNN, had been expected to be a star in daytime talk when his show started up last fall. After one year with sub-par ratings, the studio and Mr. Cooper instituted a series of changes including stressing same-day tapings as often as possible to deal with breaking subjects and a new location for the studio.

Mr Cooper was on assignment for CNN in New Jersey Monday, co vering the storm story.

Bill Carter writes about the television industry. Follow @wjcarter on Twitter.



Clear Channel Goes Classical (Sort Of)

Clear Channel Communications has made groundbreaking royalty deals lately with the record labels Big Machine (home to Taylor Swift) and Glassnote (Mumford & Sons). In a radio first, those labels will get a percentage of Clear Channel's revenue when their songs are played over the air and online. (In the United States, terrestrial radio stations pay royalties online to music publishers, not record labels.)

On Monday, Clear Channel announced another deal, this one with Naxos Records, one of the biggest independent classical labels. Naxos, known for an enormous catalog of budget albums, will program “Classica,” a new classical station on iHeartRadio, Clear Channel's app collecting hundreds of radio streams.

“Mozart, Brahms, Beethoven, Bach, Chopin, Haydn - these composers wrote the original power chords, and their work is as vital today as when it was first written,” Robert W. Pittman, Clear Channel's chief executive, said in a statement. “Our agreement with Naxos further demonstrates that the market-based business model we unveiled this past summer makes sense for labels, artists, broadcasters, and fans.”

There is one major difference between this deal and the ones with Big Machine and Glassnote, however. The Naxos deal is only for digital play, with no corresponding royalty agreement for terrestrial radio play, a Clear Channel spokeswoman said. The company has 850 stations - but none of them are classical.

Sony Executive to Amazon: Michael Paull, a top digital executive at Sony Music, has joined Amazon, a move that could help Amazon smooth over its occasionally bumpy dealings with the big labels.

Mr. Paull, who was one of Sony's primary licensing negotiators, is now Amazon's vice president of content acquisition and business development, Amazon said, and will be based in New York.

Amazon is an important sales outlet for the labels, but last year the relationship was strained when Amazon introduced an unlicensed storage and streaming service, Cloud Player; the service was perfectly legal, but top executives at Sony made rare public complaints that the move was done without their cooperation.

In July, Amazon updated the service with a licensed version to compete with Apple's iTunes Match.

Layoffs at Universal: Following its acquisition of EMI Music last month, the Universal Music Group has laid off about 45 employees across the country in its distribution service and at its labels in Nashville, from the ranks of both Universal and EMI. Earlier this month, Universal hired Steve Barnett, a key executive at Sony's Columbia label, to run its EMI divisions in the United States.

“Our goal is to maximize the resources available for reinvestment in our labels so they can do what they do best: develop and promote artists, increase the output of new music and expand opportunities for digital innovation,” a Universal spoke sman said. “Change is never easy, but we are excited about the future.”



Six Tips For Setting Your Financial Goals

Carl Richards

Carl Richards is a certified financial planner in Park City, Utah, and is the director of investor education at BAM Advisor Services. His book, “The Behavior Gap,” was published this year. His sketches are archived on the Bucks blog.

If you managed to get unstuck and created your personal balance sheet recently, then you should have a really clear idea of where you are today. The next questions you need to be address are these: Where do you want to go? What are your financial goals?

This can be a frustrating process, since it involves making some really important decisions under extreme uncertainty. None of us know what next week will look like, let alone where we will be in 30 years. On top of that issue, making financial goals involves a whole bunch of assumptions, guesses really.

We have to guess what our 60 or 80-year-old self will want to do. We have to guess what the markets will do, where interest rates will be and how much we can save. Those reasons and many more often lead us to forget that this is a process. We get stuck, unsure what to do next.

Well, despite all the uncertainty and assumptions, we need to have goals. It reminds me of the conversation between Alice and the Cheshire Cat:

“Would you tell me, please, which way I ought to go from here?”

“That depends a good deal on where you want to get to,” said the Cat.

“I don't much care where,” said Alice.

“Then it doesn't matter which way you go,” said the Cat.

“â€"so long as I get somewhere,” Alice added as an explanation.

“Oh, you're sure to do that,” said the Cat, “if you only walk long enough.”

But the problem is that we do care where we end up, and part of deciding where to go depends on setting goals.

So there are a few really important things to keep in mind  here. Before you get too excited or frustrated, here are a few things to consider.

1) These are guesses. 

While it's important to admit these are guesses, you should still make them the best guesses you can. Get specific. Just saying, “I want to save for college for my kids,” isn't enough. How about, “I'll find $100 to add to a specific 529 account on the 15th of each month?”

Even though you need to be specific, give yourself permission to be flexible. An attitude of flexibility goes a long way towards dealing with uncertainty. There is something very powerful about having specific goals but not obsessing about them.

2) These goals will change.

It's an ongoing process, and it will change because life changes. But don't let this knowledge stop you from doing it. You need to start somewhere.

3) Think of these goals as the destination on a trip.

You would never spend a bunch of time and energy worrying about whether you should take a car, train or plane without first deciding where you're going. Yet we spend countless hours researching the merits of one investment over another before we even decide on our goals. Why are you stressing about what stocks to pick if you don't have goals in mind?

4) Prioritize these goals.

Once you have them all written down, rank each goal in terms of importance and urgency. Sometimes you'll have to deal with something that is urgent, like paying off a credit card bill, so you can move on to something really important, like saving for retirement.

5) This is a process.

If you set goals and then forget about them forever, that is a worthless event. This is a process. Since we've given ourselves permission to change our assumptions about the future as more in formation becomes available, we need to do it. Part of the process of planning involves revisiting your goals periodically to see how you're doing and making course corrections when needed.

6) Let go!

As important as it is to regularly review your progress, it's also super-important to let go of the need to obsess over your goals. Define where you want to go, review your goals at set times, and in between, let go of them! Goals for the future are important, but so is living today. Find that balance.

This list may not seem like a big deal, but you'd be surprised at the number of people who can't tell you their goals, let alone break them down into categories or rank their priority. Once you have your goals, you'll be able to move on to the next step: making a plan.

 



The Breakfast Meeting: Random House-Penguin Merger, and Romney\'s Straight Face

The publishers Random House and Penguin plan to merge, their respective owners, Bertelsmann and Pearson, confirmed on Monday, Eric Pfanner reported. Under the merger the parent companies would share executive control, with Markus Dohle of Random House serving as chief executive and John Makinson of Penguin becoming the chairman. Still, Bertelsmann would control 53 percent of the merged publishers, in an attempt to avoid the complications of an even split. The combined company would have around 25 percent of the consumer publishing business in markets like the United States; as a result lawyers for both companies are already strategizing how to navigate regulatory approval.

  • The move came after it was reported that News Corporation was considering making a bid for Penguin.

The pop star Paul Gadd - better known as Garry Glitter - was arrested over the weekend as part of the expanding investigation into sexual-abuse scandal surrounding the late BBC TV ho st Jimmy Savile, Nicholas Kulish reported. As many as 300 people have come forward to describe sexual abuse at the hands of Mr. Savile; they also have described a depraved environment in Mr. Savile's dressing room at the BBC studios where teenage girls were molested by Mr. Savile and others, including Mr. Gadd, a convicted pedophile.

  • The BBC on Monday said it had begun an inquiry into the “culture and practices” at the corporation behind the sexual abuse scandal that will be led by a former senior court judge.

As the presidential election winds down, both candidates are shaking the trees for votes, but there is one clear strategic difference: President Obama is agreeing to sit on the couch with late-night hosts, and Mitt Romney is not. Lately, Mr. Obama has been on “The Daily Show” with Jon Stewart, the “Tonight” show with Jay Leno, as well as MTV and NBC News, which was given two days of access to the president during his campaign tour las t week, Bill Carter writes. Mr. Romney's campaign didn't explain its reasoning, but producers of shows like David Letterman's or Jon Stewart's said Mr. Romney has a standing invitation to appear. And Lorne Michaels of “Saturday Night Live” says he holds out hope that in a close election, Mr. Romney will make a cameo appearance.

  • For all the money raised by “super PACs” supporting Mr. Romney, President Obama has managed to maintain an edge in the number of political ads airing, Jeremy W. Peters, Nicholas Confessore and Sarah Cohen reported. The explanations can be technical, related to how different kinds of donations can be spent, but the lack of a Romney advantage in political advertising is still surprising, they write, “because Mr. Romney and conservatives have been spending more money.” (Total Republican ad spending for the presidential campaign is about $500 million, versus $400 million for the Democrats.)

The Spanish-language Univision is beginning its first digital network, UVideos, Tanzina Vega reports, offering 1,500 hours of long-form programming and about 200 short clips a day free to users. Notably, Univision is going to make the content and the user interface for its digital network available in English, with subtitles on many of its shows.

Lance Armstrong's long-time-in-coming fall from grace - from cancer-surviving cycling legend to disgraced former champion accused of doping his way to victory - is an example of how hard it can be to dislodge a compelling narrative, David Carr writes. Even cynical-by-nature journalists get swept up in the tale, he writes, and it was a few journalists who promoted a counter-narrative, aided by a fringe of doubters who used blogs and social media to keep raising questions about Mr. Amstrong. One important blog was NYVelocity, he writes, which acted a clearinghouse for information implicating Mr. Armstrong.

Hollywood's recent concerns may have their roo ts in practical commercial questions (why did box office returns shrink last year to their lowest level since 1995?) but they also have an existential dimension, Michael Cieply writes. In a video-clip, small-screen age, do movies still matter? And if they matter less to the younger public, what can be done about it? Several industry groups, including Academy of Motion Picture Arts and Sciences, which awards the Oscars, and the nonprofit American Film Institute, which supports cinema, are brainstorming about starting public campaigns to promote the idea of movies, he writes.

Noam Cohen edits and writes for the Media Decoder blog. Follow @noamcohen on Twitter.



Kia Becomes a Time Machine in New Ads With Blake Griffin

A child actor appears as the basketball star Blake Griffin circa 1995 in a commercial for Kia in a campaign that features Mr. Griffin and debuts as the N.B.A. 2012-13 season begins. A child actor appears as the basketball star Blake Griffin circa 1995 in a commercial for Kia in a campaign that features Mr. Griffin and debuts as the N.B.A. 2012-13 season begins.

In basketball, traveling violates the rules. But in advertising, sending a basketball star on a time-traveling odyssey, inside the sponsor's product, makes for clever commercials.

In a humorous campaign, Kia Motors America and its agency, David & Goliath, are reteaming with Blake Griffin of the Los Angeles Clippers for a series of commercials in which the basketbal l star drives a Kia Optima sedan as if it were a time machine.

The campaign is to begin on Tuesday, to coincide with the start of the 2012-13 National Basketball Association season. The 2013 Kia Optima is the “official vehicle of the N.B.A.”

The commercials feature Mr. Griffin using the Uvo voice-activated entertainment and information system inside his Kia Optima to send him back to different years from 1995 to the early 2000s.

The years, it turns out, are his “Wonder Years,” to borrow the title of the TV series, in that in each commercial Mr. Griffin meets a young actor playing a younger version of himself.

Blake Griffin in the Kia advertisement. Blake Griffin in the Kia advertisement.

For instance, in the first spot Mr. Griffin asks to go back to 1995 and Uvo summons up the song “This Is How We Do It” from that year. He meets up with a version of himself who, based on his birth date in 1989, is about 6 years old.

“Who are you?” the child asks Mr. Griffin, who replies, “You, from the future.” The child wonders if Mr. Griffin's Optima is his spaceship, to which the grown-up replies, “No, it's way better.”

Then, in a dig at Mr. Griffin's reputation for having problems with free throws, he advises the youngster to “practice your free throws.” On parting, Mr. Griffin takes a shot - and misses.

The Kia association with Mr. Griffin began when he dunked over a Kia Optima at the 2011 N.B.A. All-Star Game.

Sports and music are two of the four pillars of the Kia brand's outreach to its target audience, along with popular culture and what the company calls the “connected life” - that is, te chnology like Uvo.

“The immediate impact” that Mr. Griffin had “on our brand was incredible,” said Michael Sprague, executive vice president for marketing and communications at Kia Motors America in Irvine, Calif., and “proved to be very successful with the N.B.A. fan.”

“We felt we needed to do it again,” he added.

Mr. Griffin's family provided images of him as a child to make it easier to cast the children in the commercials, Mr. Sprague said, and “within hours” of the casting calls getting under way in Los Angeles and New York, “we had some great people to represent him.”

A different child portrays Mr. Griffin in the second commercial, which is set in 1997 and uses the song “How Bizarre.” In that spot, Mr. Griffin encounters the younger version of himself playing football with friends.

“Wrong sport,” he tells the child, kicking the football far away. He also offers the junior Blake some fashion advice: “Stop w earing jean shorts. Just trust me.”

There will be three additional spots, Mr. Sprague said, to be released periodically as the N.B.A. season progresses. The five spots will run on networks like ABC, ESPN and TNT as well as on the Kia channel on YouTube.

Although football may be the wrong sport in the commercial set in 1997, it is the right genre for Kia advertising, at least when it comes to the Super Bowl. Kia has announced it would return as a Super Bowl sponsor, buying time during Super Bowl XLVII on Feb. 3, 2013.

Although Mr. Sprague declined to talk about what the Super Bowl spot will be about, he did rule out a couple of possibilities. It will not be a commercial featuring Mr. Griffin, he said, nor, as of now, will it be a spot with the popular hip-hop hamster characters for the Kia Soul.

Stuart Elliott has been the advertising columnist at The New York Times since 1991. Follow @stuartenyt on Twitter and sign up for In Ad vertising, his weekly e-mail newsletter.



Monday Reading: Traveling with Children with Special Needs

A variety of consumer-focused articles appears daily in The New York Times and on our blogs. Each weekday morning, we gather them together here so you can quickly scan the news that could hit you in your wallet.

  • A part-time life, as hours shrink and shift. (Business)
  • U.S. to sponsor health insurance plans. (National)
  • Texas cities disagree on texting and driving bans. (National)
  • The 80-year-old marathon man. (N.Y./Region)
  • Using the power of the crowd for customer service. (Sunday Business)
  • Testing autism and air travel.  (Travel)
  • Who really benefits from interest deductions. (Real Estate)
  • Yes, driverless cars know the way to San Jose. (Automobiles)
  • F.D.A. details contamination at compounding pharmacy. (National)
  • Reports on energy drinks show gaps in safety policy. (Business)
  • Readers tell of traveling with children with special needs. (In Transit)
  • A marriage built on an absence of fuss. (Booming)
  • How to shoot a photo to remember. (The New Old Age)
  • Halloween forecast: Cloudy with chance of diabetes. (Motherlode)
  • Pancakes for dinner, syrup optional. (Well)
  • Exercise may protect against brain shrinkage. (Well)
  • Troubleshooting video problems in Facebook. (Gadgetwise)
  • Google is testing same-day delivery service. (Bits)
  • Painting a bolder face on mass transit. (Wheels)
  • Massachusetts shuts down another compounding pharmacy. (National)
  • Bracing for storm, U.S. stock markets to close. (Business)
  • Turning off Mac screen notifications. (Gadgetwise)
  • There's homework to do on school lunches. (Well)
  • Answers to questions about early admissions, part one. (The Choice)