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Tina Brown to Write Memoir

Tina Brown to Write Memoir

Tina Brown, the veteran editor who announced on Wednesday that she is departing The Daily Beast and magazine journalism, has struck a deal to write a memoir, she said in an interview on Thursday.

Tina Brown

The book, titled “Media Beast,” will chronicle her career in magazines, from her early days at Tatler in London on through her stewardship of Vanity Fair, her reinvention of The New Yorker and her exit this week from The Daily Beast Web site.

Metropolitan Books, an imprint of Henry Holt and Company, will publish the book in early 2016.

In the interview, Ms. Brown said that she had kept detailed notes throughout her working life and intends to write a wide-ranging memoir. It was time, she said, “To get my thoughts down on it all.”

“I’ve seen a great deal, I’ve seen so much change, so much up close, amazing forces at work in the media business,” Ms. Brown said. “It’s been a pretty interesting world.

Her publisher said in a statement that “Media Beast” will “bring a unique perspective to the forces driving and disrupting publishing in the last three decades as well as keen observation of the worlds of media, Hollywood, Washington and Wall Street through which Tina Brown moved as an editor whose mission was to break news.”

Ms. Brown said that she made up her mind to write a memoir earlier this summer during a series of conversations with Stephen Rubin, the president and publisher of Holt, whom she worked with at Doubleday, which published her previous book, “The Diana Chronicles,” in 1987.

Mr. Rubin said in a statement that he was “overjoyed to be reunited” with Ms. Brown.

A day after announcing she was leaving journalism to start her own conference company, Ms. Brown said that she had no regrets about the decision. “I had such a fantastic time in the magazine world at its very height,” she said. “I always have somehow had the opportunity to take over some fantastic titles.”

She said she had come to feel restless at the Daily Beast. “I like the creation process and then I start to feel like I want to create something else,” she said. “I love the Daily Beast and I always will. I’ll always feel very close to it.”

“I just felt that my job was done,” she added. “It’s time for me now to get new satisfaction having my own company.”



National Briefing | Washington: Senate Committee Approves Protections for Journalists

Senate Committee Approves Protections for Journalists

The Senate Judiciary Committee on Thursday approved legislation to provide greater protections against fines or imprisonment for reporters who refuse to identify confidential sources. The bill, the Free Flow of Information Act of 2013, passed 13 to 5 after lawmakers agreed on an amendment defining who qualifies as a journalist. Three Republicans, including the panel’s ranking member, Charles E. Grassley of Iowa, joined Democrats to pass the bill. The panel rejected amendments from Republicans that would have stripped protections for reporters who reveal classified information, limited the bill’s protections to American members of the news media and exempted grand jury leaks. Opponents said it did not protect national security interests and unconstitutionally allowed the government to decide who is a journalist. But supporters said it was important to establish parameters for the news media as the Justice Department grapples with leak cases.



Advertising: An Early Start on Promoting a Mini-Series Spoof Set for January

An Early Start on Promoting a Mini-Series Spoof Set for January

AS viewers are inundated with promotions for the new fall television series, which start appearing next week, the IFC cable channel is beginning to beat the drum for a show that does not make its debut until January.

The ad campaign for “The Spoils of Babylon,” a parody of television mini-series of the 1970s and ’80s, includes a make-believe novel by Eric Jonrosh, a pseudo-author portrayed by Will Ferrell.

The campaign also features a movie-style trailer.

The show, “The Spoils of Babylon,” is a six-part series on IFC about a wealthy oil family that will spoof, in over-the-top fashion, the mini-series like “Roots” and “The Winds of War” that were mainstays of the broadcast networks in the 1970s and 1980s. The first commercial meant to whet appetites for “The Spoils of Babylon” is planned to begin running on Friday, the start of a three-month campaign with a budget estimated at more than $3 million.

The promotional effort for “The Spoils of Babylon” will include, in addition to commercials on IFC, commercials on other cable channels and in movie theaters; ads in magazines like Entertainment Weekly and The New Yorker; and ads on Web sites like The Huffington Post, The Onion and Vulture.

The Taco Bell division of Yum Brands, a major sponsor of “The Spoils of Babylon,” will be involved in the campaign, in ways that are still being determined. The sponsorship may have a content marketing aspect â€" that is, weaving Taco Bell into the plot of the show â€" as well as Taco Bell buying conventional commercials during the show.

Some unconventional tactics will be used to publicize “The Spoils of Babylon,” which IFC is producing with Funny or Die, known for its creation of comic content for Web sites and television. For instance, there will be displays in Hudson News stores for a book, also titled “The Spoils of Babylon,” on which the show is supposedly based.

But a central jest of the campaign is that the book does not exist, nor does its putative author, Eric Jonrosh; savvy viewers will probably figure that out when they see the comedian Will Ferrell â€" a partner in Funny or Die â€" as Mr. Jonrosh. So the displays at Hudson News, which will proclaim that the novel is “now an epic television event on IFC,” will always be empty, as if the book is continuously sold out.

The campaign also will have a cause marketing aspect in partnership with Little Free Library, an organization that promotes literacy; the joke is that literacy is Mr. Jonrosh’s pet cause because he wants everyone to be able to read his masterpieces. IFC will help the organization place small “pop-up” libraries, stocked with free (real) books, around New York.

The campaign is being created internally at IFC with help from Funny or Die. Fallon in Minneapolis, part of the Publicis Groupe, handles the media planning.

The campaign is another example of how media and entertainment companies that sell commercial time and advertising space are increasingly becoming buyers, too.

“The Spoils of Babylon” is part of a programming strategy at IFC that seeks to establish a new identity for the channel, which is part of AMC Networks. Once a niche choice for viewers seeking movies outside the Hollywood mainstream â€" IFC stands for Independent Film Channel â€" IFC now wants to be known for original comedy content.

“This show continues IFC down the path of alternative and what we like to call ‘slightly off’ comedies,” said Jennifer Caserta, president and general manager at IFC, quoting the channel’s marketing theme, which is “Always on. Slightly off.”

“The concept and the sensibility of this project are a perfect match,” Ms. Caserta said, for IFC series like “Comedy Bang! Bang!,” “Maron” and “Portlandia.”

Juliet Corsinita, senior director for media and brand sponsorships at Taco Bell, said it was the “new original programming” at IFC “that piqued our interest” and led the company to become an advertiser on the channel for the first time.

“It sounds like the show is going to be a lot of fun,” she added. “Apparently, Mr. Jonrosh really loves Taco Bell.”

At Funny or Die, “The Spoils of Babylon” was written by Andrew Steele, also a producer of the show, and Matt Piedmont, the director. “We were both children in the ’70s and remember ‘Roots,’ ‘The Winds of War,’ ‘The Thorn Birds,’ ‘Shogun,’ and how they were staples on television,” said Mr. Steele, the creative director at Funny or Die.

“It was a time there were only three networks,” he added. “We watched a lot of stuff we probably wouldn’t watch today.”

Although the campaign is straight-faced, those involved with “The Spoils of Babylon” are confident the potential audience will realize it is a lampoon.

“We try not to point to the joke,” said Blake Callaway, senior vice president for marketing at IFC. Still, viewers should be able to figure it out from elements like “the overproduction” of the commercials, he added, and overheated descriptions of Mr. Jonrosh as “the undisputed master of dramatic fiction.”

On the other hand, a recent ad for an actual novel, “Winter of the World,” by an actual author, Ken Follett, called it “the tale of the century from the master of historical fiction.”



NBC Announces a Face-Lift, and One New Face, for ‘Today’

NBC Announces a Face-Lift, and One New Face, for ‘Today’

Paul Morigi/NBC

“Today” has a new studio, a new approach and a new cast member (Carson Daly, third from left). Also pictured are, from left, Kathie Lee Gifford, Hoda Kotb, Al Roker, Savannah Guthrie, Matt Lauer, Natalie Morales and Willie Geist.

Tired of waking up in second place, the “Today” show is hoping that a new studio, a new logo, a new mission statement and a new cast member will help it regain the ratings ground it lost last year when Ann Curry was unceremoniously dismissed from the NBC morning show.

Carson Daly of the "Today" show.

From left, Al Roker, Savannah Guthrie, Matt Lauer and Natalie Morales on the program’s old set.

Deborah Turness, the new president of NBC News, unveiled the changes to “Today” on Thursday and signaled that aside from the surprise addition of Carson Daly, no cast changes were planned.

Every other aspect of the once-invincible morning show has come under severe scrutiny since it was eclipsed in the ratings by ABC’s “Good Morning America,” which recently celebrated a full year at No. 1. The internal debate has brought up intriguing questions about what television viewers do, and do not, want to see in the mornings, especially as more and more of them reach for their smartphone before their remote control when they wake up.

Ms. Turness, who took over the news division a little more than a month ago, has made the revitalization of “Today” her top priority. She has concluded that the viewers who abandoned “Today” last year are recoverable, and in private conversations she has drawn analogies to the joy of reuniting with an ex-boyfriend or girlfriend.

But the show has to woo them back â€" and on Thursday, in her first public comments, she said she knows that a fresh orange coat of paint alone won’t do it. Her three buzzwords for “Today” are substance, uplift and connection.

“This is a content-led strategy,” Ms. Turness said. “And we have the right team and the best team to deliver that strategy.”

Her comments may tamp down continued speculation in the TV industry about the futures of Matt Lauer, whose reputation was spoiled when Ms. Curry tearfully signed off in June 2012, and Savannah Guthrie, the woman who was pressed into service as Ms. Curry’s replacement.

The female-centric “Today,” which was already slipping, lost about a quarter of its audience and became stuck in second place after Ms. Curry left; last week, “G.M.A.” had about 5.3 million viewers each day, about 750,000 more than “Today.” Among viewers ages 25 to 54, the ones coveted by advertisers, “G.M.A.” led by 118,000.

That stubborn gap has cost NBC’s parent, Comcast, tens of millions of dollars in advertising revenue, much of which has shifted over to ABC’s parent company, the Walt Disney Company. It has also deeply damaged morale at “Today” and caused what one senior NBC News executive admitted have been “frantic” responses to the ratings crisis.

Ms. Turness and her boss, the NBCUniversal News Group chairwoman Pat Fili-Krushel, are said to have concluded that removing any anchor right now would cause a further decline in the ratings. Instead, they are adding talent: Mr. Daly, the former host of MTV’s “TRL” who now is at the helm of the hit reality show “The Voice” for NBC, will be a regular presence on “Today” starting next Monday, updating anchors on what viewers are saying on the Internet.

In a corner of the new set called the “Orange Room,” Mr. Daly will read messages from Twitter and Facebook and conduct online video chats with viewers. The producers of “Today” hope to have celebrities and newsmakers participate in the video chats after they appear on the television show.

The social media emphasis of the “Orange Room” is a tacit acknowledgment of new media trends as well as a way, maybe, to lure former viewers back to NBC. The multimillion-dollar renovations to the famous street-side studio, known as Studio 1A at Midtown Manhattan’s Rockefeller Center, were sketched out before Ms. Turness arrived at the network, and on Thursday she portrayed it as merely one of several changes meant to make the show more welcoming. (The new set will debut on Monday, along with a new logo that resembles a sunrise.)

“Today,” Ms. Turness said, will seek, or rather re-seek, a middle ground in morning television â€" not as celebrity-centric as “G.M.A.,” not as sober as “CBS This Morning.” “It is our territory to reconquer,” she told reporters at a press event at the new studio.

Since arriving at NBC from Britain’s ITV, where she was the editor of ITV News, Ms. Turness has been in the “Today” control room virtually every morning. After the show, she she frequently attends the 10 a.m. meeting with senior “Today” show staff members to discuss what segments were and were not on point.

She has told them she wants to return to the show’s traditional strengths, like human interest stories and more agenda-setting interviews (as the show had on Aug. 22, when NBC played host to the abducted teenager Hannah Anderson’s first interview and the announcement that Bradley Manning wanted to live as a woman). The show, she has said, should inspire viewers as well as inform. “Even in the darkness, we will seek the light. That’s our promise,” she said Thursday.

But Ms. Turness’s plan assumes that there is still room in the middle â€" which runs contrary to the trend of niche morning shows on channels like VH1 and NFL Network, and new alternatives on the Web. The more sweeping overhaul that some staff members have hoped for, one that would involve talent changes as well as risk-taking content, does not appear to be coming.

The addition of Mr. Daly did restart an industry guessing game about who might succeed Mr. Lauer someday â€" something that viewers follow closely and speculate about constantly.

Mr. Lauer, who has co-hosted “Today” since 1997, has a contract that runs at least through the end of 2014. Speculation about him leaving before then has diminished, and discussions within NBC News about grooming Ryan Seacrest or Anderson Cooper for his co-host chair have not come to fruition. Willie Geist, who joined the cast a year ago, is thought to be the top in-house candidate, and on Thursday some wondered if Mr. Daly was his new competition.



Shepard Smith to Run a ‘Breaking News Division’ at Fox

Shepard Smith to Run a ‘Breaking News Division’ at Fox

Fox News announced a major change in its daily program lineup on Thursday, opening up the 7 p.m. hour by shifting its longtime news anchor, Shepard Smith, to a 3 p.m newscast, while also creating an ambitious and expensive new “breaking news division” that Mr. Smith will lead.

The longtime Fox News anchor Shepard Smith is to run a new "breaking news division" at the network.

The schedule shift will enable Fox News to add a planned opinion program in prime time headed by Megyn Kelly, while also taking steps to enhance Mr. Smith’s role as the network’s primary hard-news anchor.

The plan calls for Mr. Smith to interrupt any of the other Fox News programs for breaking news reports; it also means the program lineup in prime time will be able to accommodate four opinion-based hosts instead of the current three. Fox has yet to announce formally the full evening lineup, but the widespread speculation is that Ms. Kelly’s new show would appear at 9 p.m., with Sean Hannity’s program making way by moving to 7 p.m.

The official announcement of the new lineup is expected soon. No start date was announced for Mr. Smith’s new program, to be called “Shepard Smith Reporting,” partly because he will undergo surgery next week for a torn shoulder labrum.

Mr. Smith said the new overall format, which will have him available all day to break in with news, should help delineate even more clearly the wall between news and opinion shows â€" what he called “programming” â€" at the network.

“My team is really good at news,” he said. “They are really good at programming. For me one of the best things we can do is raise the wall between news and programming even higher. We need that wall high. We serve different functions.”

Mr. Smith said he would operate out of a new, state-of-the-art studio and be able to follow stories as they happen by referring to social media accounts as well as conventional coverage.

“We need to stop pretending that people aren’t tweeting things,” Mr. Smith said. The idea is to check what may be trending on Twitter and use “information specialists” to verify that information, while also tying it to possible video on YouTube or photos on Instagram or Facebook.

He said he welcomed the shift because “I’ve been bored for a long time” from doing a conventional evening newscast reading from a teleprompter.

Mr. Smtih recently signed a new contract to remain at Fox News, and the breaking news project is very expensive, he said, without mentioning specific figures.

“Roger is spending an unbelievable amount of money,” he said, referring to the Fox News chief executive, Roger Ailes. “He’s been disrupting this industry for a long time. I love it.”



Shepard Smith to Run a ‘Breaking News Division’ at Fox

Shepard Smith to Run a ‘Breaking News Division’ at Fox

Fox News announced a major change in its daily program lineup on Thursday, opening up the 7 p.m. hour by shifting its longtime news anchor, Shepard Smith, to a 3 p.m newscast, while also creating an ambitious and expensive new “breaking news division” that Mr. Smith will lead.

The longtime Fox News anchor Shepard Smith is to run a new "breaking news division" at the network.

The schedule shift will enable Fox News to add a planned opinion program in prime time headed by Megyn Kelly, while also taking steps to enhance Mr. Smith’s role as the network’s primary hard-news anchor.

The plan calls for Mr. Smith to interrupt any of the other Fox News programs for breaking news reports; it also means the program lineup in prime time will be able to accommodate four opinion-based hosts instead of the current three. Fox has yet to announce formally the full evening lineup, but the widespread speculation is that Ms. Kelly’s new show would appear at 9 p.m., with Sean Hannity’s program making way by moving to 7 p.m.

The official announcement of the new lineup is expected soon. No start date was announced for Mr. Smith’s new program, to be called “Shepard Smith Reporting,” partly because he will undergo surgery next week for a torn shoulder labrum.

Mr. Smith said the new overall format, which will have him available all day to break in with news, should help delineate even more clearly the wall between news and opinion shows â€" what he called “programming” â€" at the network.

“My team is really good at news,” he said. “They are really good at programming. For me one of the best things we can do is raise the wall between news and programming even higher. We need that wall high. We serve different functions.”

Mr. Smith said he would operate out of a new, state-of-the-art studio and be able to follow stories as they happen by referring to social media accounts as well as conventional coverage.

“We need to stop pretending that people aren’t tweeting things,” Mr. Smith said. The idea is to check what may be trending on Twitter and use “information specialists” to verify that information, while also tying it to possible video on YouTube or photos on Instagram or Facebook.

He said he welcomed the shift because “I’ve been bored for a long time” from doing a conventional evening newscast reading from a teleprompter.

Mr. Smtih recently signed a new contract to remain at Fox News, and the breaking news project is very expensive, he said, without mentioning specific figures.

“Roger is spending an unbelievable amount of money,” he said, referring to the Fox News chief executive, Roger Ailes. “He’s been disrupting this industry for a long time. I love it.”



Disney Infinity Game Has Strong Early Sales

Disney Infinity Game Has Strong Early Sales

LOS ANGELES - â€" Disney’s new Infinity video game is a hit out of the gate, but it is too early to say whether the release will deliver the kind of blockbuster holiday sales that the company’s struggling interactive division needs for a turnaround.

Infinity, which allows players to mix and match Disney and Pixar characters in self-constructed video game adventures, sold about 294,000 starter kit units in August in the United States, according to data compiled by NPD Group, a market research firm. Infinity went on sale on Aug. 18. Starter kits cost about $75.

“We’ve come out strong, ahead of our internal forecasts, and â€" knock wood â€" we’re on the way to being a must-have holiday item,” John Pleasants, co-president of Disney Interactive, said in an interview. Independent sales data is not yet available from foreign countries. Mr. Pleasants said overseas results had been equally robust.

Direct comparisons are difficult. The game that Infinity most closely resembles, Skylanders from Activision, sold about 100,000 starter kit units in October 2011, its first month in stores. Disney spent lavishly to market the release of Infinity, which cost more than $100 million to develop.

Disney took a risk by releasing Infinity in August, which is typically a slow period for video game sales; overall video game sales have also been declining. The question now is whether Infinity will continue to attract buyers in large numbers as other toys and games â€" notably a new version of Skylanders â€" arrive in stores.

“There is certainly nobody doing any victory parades here yet,” Mr. Pleasants said. “Performance in the holiday period is critical.”



Disney Infinity Game Has Strong Early Sales

Disney Infinity Game Has Strong Early Sales

LOS ANGELES - â€" Disney’s new Infinity video game is a hit out of the gate, but it is too early to say whether the release will deliver the kind of blockbuster holiday sales that the company’s struggling interactive division needs for a turnaround.

Infinity, which allows players to mix and match Disney and Pixar characters in self-constructed video game adventures, sold about 294,000 starter kit units in August in the United States, according to data compiled by NPD Group, a market research firm. Infinity went on sale on Aug. 18. Starter kits cost about $75.

“We’ve come out strong, ahead of our internal forecasts, and â€" knock wood â€" we’re on the way to being a must-have holiday item,” John Pleasants, co-president of Disney Interactive, said in an interview. Independent sales data is not yet available from foreign countries. Mr. Pleasants said overseas results had been equally robust.

Direct comparisons are difficult. The game that Infinity most closely resembles, Skylanders from Activision, sold about 100,000 starter kit units in October 2011, its first month in stores. Disney spent lavishly to market the release of Infinity, which cost more than $100 million to develop.

Disney took a risk by releasing Infinity in August, which is typically a slow period for video game sales; overall video game sales have also been declining. The question now is whether Infinity will continue to attract buyers in large numbers as other toys and games â€" notably a new version of Skylanders â€" arrive in stores.

“There is certainly nobody doing any victory parades here yet,” Mr. Pleasants said. “Performance in the holiday period is critical.”



Richard Stengel to Leave Time Magazine for Obama Administration

Richard Stengel to Leave Time Magazine for Obama Administration

Richard Stengel, the managing editor of Time magazine, is leaving to become under secretary of state for public diplomacy and public affairs at the State Department, according to people familiar with the appointment.

Mr. Stengel replaces Tara Sonenshine who held the post with Secretaries of State Hillary Rodham Clinton and John Kerry before leaving in July. Before that, the position was occupied by Judith McHale, a former chief executive of Discovery Communications, who worked under Ms. Clinton and left the position in 2011.

Mr. Stengel has said in the past that his deputy editor, Nancy Gibbs, would succeed him. Daniel Kile, a spokesman for Time, declined to comment about either job moves.

Mr. Stengel became Time’s 16th managing editor in 2006, after serving as a writer who covered the 1988 and 1996 presidential campaigns. He got a glimpse of the responsibilities that are to come when he traveled with Secretary Clinton to the Middle East in 2012.



‘X-Factor’ Hits a New Ratings Low in Its Season Premiere

‘X-Factor’ Hits a New Ratings Low in Its Season Premiere

The days of the singing competition blockbuster on television may be coming to an end.

The latest evidence came on Wednesday night, when the season premiere of “The X Factor,” Simon Cowell’s Fox series, posted its lowest ratings.

The show, which arrived with great fanfare two years ago, all but collapsed this year, dropping to just 6.2 million total viewers, its smallest audience, and a 2.1 rating among the viewers it sells most of its advertising against, those ages 18 to 49.

By contrast, the show opened two seasons ago with more than double the number of viewers, 12.7 million. And it opened last season with 8.4 million. The 2.1 rating among those younger adult viewers on Wednesday night was beaten by the summer series “Big Brother” on CBS (2.2) and even the show after it on Fox “Master Chef” (2.4). That rating was tied by the NBC summer series “America’s Got Talent,” but that show (coincidentally produced by Mr. Cowell) had 9.8 million viewers.

The showing by “X Factor” might portend further erosion for Fox’s once-impregnable singing-show hit “American Idol,” when it returns in January.

In other rating news, the welcome for Arsenio Hall’s new syndicated late-night show faded a bit after its premiere but remained on the good side of respectable for its second installment on Tuesday night. In the biggest national television cities, “Arsenio” managed a 1.7 overall rating on Tuesday, down from 1.9, and a 0.7 rating in the 18 to 49 audience.

That was a bigger drop from Monday’s 1.0 rating in the younger demographic, but it still kept Mr. Hall competitive. He trailed Jay Leno’s “Tonight” show (0.8) but tied Jimmy Kimmel on ABC and beat both David Letterman on CBS and Conan O’Brien on TBS (0.5).



Warner-J.K. Rowling Partnership Will Include New Wizardry Film

Warner-J.K. Rowling Partnership Will Include New Wizardry Film

LOS ANGELES â€" Warner Brothers is doubling down on the J. K. Rowling business. The studio, whose blockbuster “Harry Potter'’ films have generated billions of dollars for the company, announced Thursday that it had concluded a deal with Ms. Rowling that will include new movies, distribution rights to a television miniseries and new theme park attractions.

The studio said it had entered an agreement under which Ms. Rowling, who wrote the “Harry Potter” books, will become a screenwriter for the first time, working on an adaptation of her “Fantastic Beasts and Where to Find Them,” a book that extends the world of wizardry in the Potter series. In a statement, Warner said the movie would become the first in a planned film series.

The studio also said the agreement would permit new attractions and initiatives connected with its existing “Harry Potter” theme park presence at the Universal Studios parks.

In television, the deal makes Warner the global distributor of a BBC miniseries based on “The Casual Vacancy,” a Rowling novel that is aimed at adults. The miniseries is set for production next year, the studio said.

The Rowling deal marks a significant step for Kevin Tsujihara, who was recently named chief executive of Warner, after a long, internal competition for a post being vacated by Barry Meyer. The “Harry Potter” film series, which Warner started in 2001 with “Harry Potter and the Sorcerer’s Stone,” has been a huge success for the company. The final film, “Harry Potter and the Deathly Hallows, Part 2,” took in more than $1.3 billion at the worldwide box office after its release in 2011.

Ms. Rowling, who has become almost as closely associated with the studio as with her own books, said Warner executives had proposed the idea of a film based on “Fantastic Beasts,” and she counter-proposed that she should be the writer, though she has not previously written screenplays.

“As I considered Warners’ proposal, an idea took shape that I couldn’t dislodge,” said Ms. Rowling in a statement. “That is how I ended up pitching my own idea for a film to Warner Brothers.”

She said she envisioned the film as “an extension of the wizarding world,'’ but not a prequel or sequel to the “Potter'’ series.



2nd Newspaper Group Faces Inquiry in British Hacking Scandal

2nd Newspaper Group Faces Inquiry in British Hacking Scandal

LONDON â€" Britain’s phone hacking scandal advanced closer toward another leading newspaper group on Thursday when Trinity Mirror said the police were “at the very early stage” of an inquiry into whether the company is criminally liable for claimed “unlawful conduct by previous employees” of the Sunday Mirror tabloid.

“The group does not accept wrongdoing within its business and takes these allegations seriously,” Trinity Mirror, which also publishes the left-leaning Daily Mirror tabloid and Sunday People, said in a statement. “It is too soon to know how these matters will progress and further updates will be made if there are any significant developments.”

The hacking scandal has largely embroiled British newspapers in Rupert Murdoch’s empire. In July 2011, Mr. Murdoch closed The News of the World, a tabloid, after disclosures that its staff had hacked into the mobile phone messages of a teenager, Milly Dowler, who had been abducted and was later found murdered.

Two former editors and several ex-employees of Mr. Murdoch’s British newspaper subsidiary have been formally arraigned on charges relating to the scandal pending trials expected to start later in the year. All have denied wrongdoing.

Last March, the police said that four Mirror group journalists had been arrested in South London on suspicion of “conspiracy to intercept telephone communications.” The journalists were not identified by name. Scotland Yard said they were three men ages 40, 46 and 49, and a 47-year-old woman. British news reports at the time said the four were all senior serving or former editors, including the editor and deputy editor of the tabloid Sunday People and the former editor and former deputy editor of The Sunday Mirror.

The hacking scandal led to an array of investigations, one of which, the Leveson Inquiry, concluded that Britain needed a new form of press oversight with statutory underpinnings.

During months of hearings, one of the witnesses at the inquiry led by Lord Justice Sir Brian Leveson was Piers Morgan, the CNN talk-show host who was editor of The Daily Mirror from 1995 to 2004. He told the investigation that he knew no one who hacked phones.

Other witnesses testified that phone hacking was rife at The Mirror but Mr. Morgan repeatedly testified that it was not and that he knew nothing about it.

The Sunday Mirror, according to recent industry statistics, had a circulation of around one million in August, but The Sun on Sunday, which replaced the shuttered News of the World, led the Sunday tabloid market with sales of 1.9 million, followed by The Mail on Sunday with around 1.6 million.

The arrests in March related to individuals but Thursday’s announcement showed that police officers also wanted to investigate whether their employer bore a corporate responsibility for any wrongdoing.

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